Bexhill Choral Society

St Augustine’s Church, Bexhill, 8 December 2018

Bexhill Choral’s annual Carols and Music for Christmas may follow a well-worn path but it is the insertion of unexpected items which add to the pleasure of the event each year. On this occasion it was the opening items – an exhilarating Torches! Torches! followed by the mellow glow of Berlioz’ Shepherd’s Farewell which set the tone. Throughout, the crisp rhythms of the choir and the clear diction added to the sense of immediacy.

If Gounod’s Nazareth is almost too sentimental for a 21st century audience, Bob Chilcott’s arrangements are always apt and Kenneth Roberts’ own adaptations – in particular the Gloucestershire Wassail and the concluding popular numbers – move the whole evening into a lighter and more personal vein.

The choir were joined on this occasion by Peter Grevatt who sang with them for the Gounod and two carol arrangements, but was in his element with Bach’s Grosser Herr from the Christmas Oratorio. Here he was supported by solo trumpeter, Andy Gill, and organist Nigel Howard. Performing from the balcony, in the vibrant acoustic, it was spine-tinglingly exciting.

We were as usual invited to join in the choral carols, which included the Yorkshire version of While Shepherds to the tune of Ilkley Moor, and a rousing finale with O come all ye faithful.

Accompaniment throughout was provided by Nigel Howard on piano and organ – commuting between the two as needed – and the Cinque Ports Brass who flowered beautifully in the final movement of  Schutz’ Christmas Story. As is now traditional, Kenneth Roberts played clarinet and saxophone for the final songs, and had joined the brass from the piano for the jazz classic Christmas night in Harlem.

All involved were on fine form throughout and we can look forward to the spring concert which will bring us works by John Rutter and Kenneth Roberts on 11 May 2019.

Tenors UnLimited

Opus Theatre, 7 December 2018

Opus Theatre was packed for the return of Tenors UnLimited even if they were almost upstaged by the wonderful enthusiasm of Guestling-Bradshaw school choir. The evening was however focussed on a higher cause and before a note was heard we had a brief but powerful introduction to the work of World Water Works and their campaign to provide Water Survival Boxes for immediate emergency use.

After two Italian songs we heard one of the Tenors recent hits – Viva la vita – the energy from which launched easily into the Brindisi from La Traviata, and so, sequentially, to Unchained Melody and Volare. If some of this, particularly given the over-amplification within the fine acoustic of Opus Theatre, was rather too much in-your-face, the gentler opening of Who is he? proved to be much more effective. The young singers then joined the stage for This Little Light of Mine­ and a joint rendition of O Holy Night.

The second half allowed the tenors to demonstrate the individuality of their talents, most noticeably in the three pieces from Les Miserables.  Paul opened with Javert’s Out in the darkness – showing that he only just sneaks in as a tenor given that his voice is essentially high baritone – Jem impressed with Empty tables, and Scott rounded the section off with Bring him home. All finely done without any unnecessary emotionalism.

The choir joined them again and, in singing the opening of Once in Royal David’s city both unaccompanied and unamplified, Poppy showed once again just how fine the acoustic is here, if a young voice can carry so easily and with such finesse. After a couple of carols, the choir came to their piece de resistanceThe Twelve Days of Christmas – complete with movement and bling!

A brief run through Jingle Bells and we were in to the final numbers with a moving interpretation of You Raise Me Up. Everyone went away happy – and what more can you ask of a Christmas show.

Full details of the Water Survival Boxes can be found at www.worldwaterworks.org