CDs February 2018

(with apologies for lateness as the Editor has been on holiday!)

JS Bach: St John Passion
Bach Choir and Orchestra Mainz, Ralf Otto
NAXOS 8.573817-18

Lent normally brings a number of interesting new Bach issues and this certainly has a great deal to commend it. It draws on the final 1749 revision, but incorporates many of the additional items from 1725 later removed. As such it goes for the best of both worlds yet flows with a simple grace.

Ralf Otto’s tempi are brisk and workmanlike, his choral forces lean and precise. Evangelist Georg Poplutz and Jesus Yorck Felix Speer are excellent but the smaller parts are obviously drawn from the choir and don’t command quite the same weight. However this is not a problem for a recording which holds its own in comparison to far more expensive versions.

Guitar Music of Venezuela
Nirse Gonzalez, guitar
NAXOS 8.573631

The works here were all entirely new to me but none the less enticing and I will certainly return to the recording to get to know them better. Gentle dances by Carlos Silva and Evancia Castellanos sit comfortably alongside contemporary composers Pedro Mauricio Gonzalez and Federico Ruiz. Well worth an indulgence given the price.

Clarinet Fantasies
Nadia Wilson, clarinet, Martin Butler, piano
PRIMA FACIE PFCD 076

This recording is built around Martin Butler’s own Barlow Dale pieces which have lived an interesting if somewhat chequered history, re-emerging recently when Nadia Wilson realised she had been aware of them when Martin Butler himself assumed they had fallen out of both performance and interest. They are lively pieces depicting the cats who are the protagonists of his aunt’s book Barlow Dale.  As such they are enchanting and make a fine central feature for slightly more serious pieces by Bax, Horovitz and Ireland – though I have to admit I enjoyed the Butler settings the best!

Dag Wiren: orchestral works
Iceland Symphony Orchestra, Rumon Gamba
CHANDOS CHSA 5194

Dag Wiren tends to be remembered for a tiny handful of pieces today and it is therefore too easy to overlook his larger output. This cd brings together the third symphony, Serenade Op11, Divertimento Op29 and the Sinfonietta Op7A. The Serenade is the earliest work, dating from 1937 with the Divertimento completed in 1957. If the Serenade is deliberately light in both texture and atmosphere then the other works take on a more serious tone, though they are always mellifluously easy on the ear.

Granados – works for piano
Xiayin Wang, piano
CHANDOS CHAN 10995

This is an entirely romantic recording with a great deal to indulge and enjoy. Very much a Catalan, Granados seems to exploit the romanticism of his environment and lure this into both the scores themselves and Xiayin Wang’s fine playing.

Telemann: Melodious Canons & Fantasias
Elysium Ensemble
RESONUS RES 10207

The Elysium Ensemble is here represented by Greg Dikmans, flute, and Lucinda Moon, violin, in a series of very finely performed chamber pieces for flute and violin. If anything it is all almost too intimate. The recording, while having a slight warmth to it, could easily be in a large front room and as such it makes these pleasantly domestic if not actually personal in their impact. It is as if the musicians are playing just for us – which is probably what Telemann intended. It is entirely convincing.

Brahms: Complete works for piano
Barry Douglas
CHANDOS CHAN 10951(6)

The six cds which make up this set were recorded between 2012 and 2016, being released complete now for the first time. It is impossible within the scope of so brief a review to do justice to the set as a whole – let us simply say that I was delighted to be able to review it and indulge myself in such fine playing and such captivating performances. Nothing singled out here – there is far too much to choose from. If you did not get the individual recordings when first released this is your chance to catch up – and you won’t regret it.

ENO: La traviata

Daniel Kramer directs his first opera as ENO Artistic Director, a sweepingly romantic interpretation of La traviata

Opens Friday 16 March at 7.30pm at the London Coliseum (10 performances)

Daniel Kramer will direct his first opera as English National Opera’s Artistic Director this spring. This production of La traviata, which played to sold-out houses following its premiere at Theater Basel, is a sweepingly romantic take on one of opera’s most heartbreaking stories. Irish soprano Claudia Boyle will perform the role of Violetta alongside South African tenor Lukhanyo Moyake as Alfredo. Singing the role of Giorgio Germont is Alan Opie, who celebrates 50 years since he first sang with ENO.

Daniel Kramer said:

‘Almost every note of Verdi’s masterpiece raises up the life of a women who has been deemed dishonourable by society. Through La traviata, Verdi invites us to listen to the magnanimous love of a character who makes a sacrifice which few others would be willing or able to consider. His music is, for me, a love letter to the tender and graceful Violetta.

I believe that our core audience come to ENO wanting to have new light shed upon these well-loved classics. This is also one of my key passions when directing opera or theatre, and has informed our approach to this intensely moving story of love and sacrifice.  

As our world continues to confront the treatment of women in our society we have worked to share the story of a woman who, despite her heartbreaking circumstances, rises above the judgmental and abusive world around her and passes through her life with integrity and grace.’  

Daniel Kramer was appointed Artistic Director of English National Opera in April 2016, taking up the position in August that year. His work with ENO extends backs to 2008. He was selected as part of ENO’s young director’s initiative for which he directed Punch and Judy at the Young Vic which subsequently won the South Bank Show Award for Outstanding Achievement in Opera. Daniel returned to ENO in 2009 to direct Bartok’s Duke Bluebeard’s Castle at the London Coliseum and Wagner’s Tristan and Isolde, conducted by former ENO Music Director Edward Gardner and designed by Anish Kapoor. He has been an Associate at the Gate Theatre, Notting Hill and the Young Vic, and a Creative Associate at the Royal Shakespeare Company. The 18/19 season, launched on the 1 May, will be the first that he has curated as ENO Artistic Director.

The ephemeral, image-conscious world of the courtesan Violetta will be brought to life through the designs of Lizzie Clachan, one of the most acclaimed set designers currently working in London theatre. She has recently been praised for her ‘extraordinary’ (The Guardian) work on the Young Vic’s Yerma, and for the National Theatre’s As You Like It.

Claudia Boyle will sing Violetta, the eponymous ‘fallen woman’. A fomer member of the Salzburger Festpiel’s Young Singers Project, her international profile has been dramatically raised through highly-acclaimed performances in London, Berlin, Rome and New York. For ENO Claudia has previously sung the roles of Leïla in The Pearl Fishers (2016) and a ‘standout’ (The Guardian) Mabel in The Pirates of Penzance (2015).

Up-and-coming tenor Lukhanyo Moyake makes his UK debut as Alfredo. South Africa’s representative in 2017’s BBC Cardiff Singer of the World, Lukhanyo has been performing at the Cape Town Opera Company since his graduation in 2010. His roles there include Alfredo in La traviata, Jaquino in Fidelio and Tom Rakewell in The Rake’s Progress. In 2015 and 2016 he was a finalist of the International Hans Gabor Belvedere Singing Competition (held in Amsterdam) and was also placed third in the Neue Stimmen International Singing Competition (held in Germany).

ENO legend and internationally acclaimed baritone Alan Opie will return for his second ENO engagement of the season. He follows his debut in the comic role of Doctor Bartolo (The Barber of Seville) with Violetta’s controlling father, Giorgio Germont. Alan’s previous performances in this role have been described as ‘full of feeling’ (The Guardian) and ‘consistently compelling’ (WhatsOnStage).

Rising young British conductor Leo McFall will make his ENO debut with this production. Winner of the 2015 German Conductor’s Prize, he is among the foremost conductors of his generation, and received much praise for his performances with the Glyndebourne Tour and with Opera North. He will be assisted by ENO Mackerras Conducting Fellow Toby Purser, who will also conduct the performance on the 11 April.

La traviata opens on Friday 16 March at 7.30pm at the London Coliseum for 10 performances: 16, 22, 24, 28 March and 3, 5, 11, 13 April at 7.30pm, 31 March at 6.30pm and 8 April at 3pm.

500 tickets for £20 or less are available for each performance. Tickets start from £12.

A co-production with Theater Basel