Hastings Unitarian Church, Saturday 9th August 2014
It could have been embarrassing to almost run out of chairs and programmes, but in fact on a day when we expected competition from other attractions like Rural Past Times, it was wonderful to see the Meeting Place full to capacity. This was the third in our summer series of organ recitals, and we were delighted to see many new faces in the audience, as well as welcoming back many regular supporters.
As always, Stephen treated us to an eclectic mix of items, from the known and loved – a Bach Prelude and Fugue, a Brahms Chorale and Rodgers’ Carousel Waltz – to unknown compositions such as a lively sixteenth century Scottish dance with the beguiling title Kinloch his (lang) pavane! Handel featured in both categories, with his popular Largo and a lesser known combination of Overture, Entrée and Gavotte from his Aylesford Pieces.
Stephen’s love of the Snetzler organ is infectious, and he always takes pride in demonstrating its potential. Eric Thiman’s Trumpet Tune and Air allowed us to hear the Hautbois stop masquerading as a trumpet, while Percy Whitlock’s reflective Lantana gave the delicate Dulciana stop its voice. Comer’s Hors d’oeuvres saw the Snetzler transformed to a theatre organ, set our toes tapping, and demonstrated considerable dexterity and the technique of thumbing down! CPE Bach’s Sonata in G minor was the recital’s longest work, allowing us to appreciate much of the organ’s versatility within the one piece.
The balanced and varied programme was held together by a lively, informative and often amusing commentary which added to the audience’s enjoyment. A pleasing moment of intimacy was Stephen’s tribute to two organists of considerable seniority in the audience to whom he owed his early inspiration.
The last concert in this year’s series will be on Saturday 11th October at 2.30pm. CE
