Brighton Festival Chorus @ Christmas

Brighton Festival Chorus are pleased to announce that their annual Christmas Concert will this year be, for the first time, with the Brighton Philharmonic Orchestra.  It will be a joyous celebration of the very best of Christmas music, from traditional to modern, including all your best loved carols and festive favourites.

The concert will be at Brighton Dome on Saturday 12 December at 6 pm. 

James Morgan, the Music Director of bfc, says, “It’s lovely to be part of what is becoming the start of the Christmas festivities for many families in Sussex – we get to perform all the well known traditional carols as well as introduce our audience to some fantastic new ones.  The combination of symphony orchestra, organ, massed choirs and the audience singing together is always a very special moment in the year for us.”  Tickets can be booked by calling the Brighton Dome Box Office on 01273 709709.

CD REVIEWS – November 2015 – 2

DANCING DAY – MUSIC FOR CHRISTMAS
Choir of Men & Boys of ST THOMAS, FIFTH AVENUE, NEW YORK
JOHN SCOTT, Conductor
SARA CUTLER, Harp,  STEPHEN BUZARD & BENJAMIN SHEEN, Organ
RESONUS RES10158 (63’58)

This is a lovely recording of seasonal works from the 20th and 21st Centuries based on medieval texts and melodies. There are two main works – Britten’s A Ceremony of Carols & Rutter’s Dancing Day. Both of these also feature the harp which adds a further link to the past and variety of timbre. The CD opens with Matthew Martin’s lively Novo profuse gaudio. There is a poignancy to this release in that it includes an arrangement by the much lamented Philip Ledger of the Sussex Carol and that John Scott died unexpectedly in August. A lasting record of John Scott’s work with this choir.

NOVA! NOVA! – CONTEMPORARY CAROLS FROM ST CATHARINE’S
Choirs of ST CATHARINE’S COLLEGE, CAMBRIDGE
EDWARD WICKHAM, Conductor,  WILL FAIRBAIRN, Organ
RESONUS RES 10159 (66’00)

Edward Wickham presents the girls choir and mixed student choir in a programme that mixes the sacred and secular, as carols have done for centuries. Some of the carols are commissions for St Catharine’s. Many familiar contemporary composers are featured including Sally Beamish, John Tavener, James MacMillan and Roxana Panufnik. Two extended compositions are included – Christopher Fox’ A dream of winter and Stevie Wishart’s Three Carols. These together with six other carols are world premiere recordings. An interesting showcase of recent Christmas compositions.

L’ORGUE SYMPHONIQUE – FRENCH ORGAN WORKS FROM WINDSOR CASTLE
RICHARD PINEL, Harrison & Harrison organ, St George’s Chapel, Windsor Castle
RESONUS RES 10160 (74’40)

Fine examples of French symphonic organ works are to be found on this CD. Richard Pinel  presents a wonderfully evocative programme, showing his own musicianship and the suitability of this organ for this repertoire. Roger-Ducasse’s one movement Pastorale follows the contrasting five movements of Vierne’s Symphony No 2 in E minor. The disc ends with Durufle’s Suite, Op 5 which begins in dark, brooding fashion and ends with a brilliant Toccata. I really enjoyed this CD.

J.S.BACH ORGAN WORKS VOL 3
ROBERT QUINNEY, Metzler organ of Trinity College Chapel, Cambridge
CORO  COR 16132

The two previous Bach volumes by Robert Quinney have presented interesting and well balanced programmes, sympathetically played on this beautiful new organ. This volume does not disappoint. Here we have Fantasia & Fugue in G minor, 3 Preludes on Nun komm, der Heiden Heiland, Pastorella, Prelude & Fugue in C (BWV547), Canonic variations on Vom Himmel hoch and Prelude & Fugue in G (BWV541). There is a freshness to some of these recordings even when the music is quite familiar. Lovely!

J S BACH – 18 LEIPZIG CHORALES
ALEXANDER KNYAZEV, Walcker organ of the Riga Dome
MELCD 10 02397 (106’58) (2 CDs)
I haven’t encountered many Russian organists so it was good to find this CD from Alexander Knyazev, who graduated from two Russian conservatoires specialising in a different instrument at each – organ and cello. Here we have a complete recording of Bach’s so-called Leipzig Chorales – part of a collection of revised compositions from throughout his life which Bach made in the last decade of his life, selected as being particularly significant to him. Although performed very well I didn’t initially like the sound of this recording. The cavernous acoustic made for some indistinct lines and overall blurriness. However, the varied registration and sympathetic interpretation of these settings drew me in. A welcome addition to the host of recent all-Bach releases.
CHARLES-MARIE WIDOR – THE ORGAN SYMPHONIES VOL 4
JOSEPH NOLAN, Cavaille-Coll organ of La Madeleine, Paris
SIGNUM CLASSICS SIGCD337 (98’03) 2 CDs

Joseph Nolan’s complete Widor symphonies cycle continues with this 4th volume. Symphony No 7 Symphony No 8 are featured on this double CD. Both large scale works are expertly performed here on an authentic instrument. Mr Nolan’s performances allow this music to truly come alive and to appear fresh and exciting. Vol 5 is due to be released very soon. Music to be immersed in.

MASAAKI SUZUKI PLAYS BACH ORGAN WORKS
Schnitger/Hinz organ in the Martinikerk, Groningen, The Netherlands
BIS BIS-2111 (79’26) Hybrid CD/SACD

A new recording of organ music by JS Bach is not an uncommon thing. I often wonder why so many recordings continue to be made, especially when they feature Toccata & Fugue in D minor, BWV565. However, good programming, mixing the familiar with the less so and with variety of style and registration, performed by a sympathetic and talented organist on a  splendid instrument, can still excite and entertain. Such is the case with this CD from Masaaki Suzuki on the Groningen organ. The recording is superbly produced.  The programme includes the extended Pastorale in F major, Partita: O Gott, du frommer Gott and the Canonic variations: Vom Himmel hoch da komm’ ich her’ alongside the E minor and G major Prelude & Fugue and the Fantasia in G major.

MAX REGER – COMPLETE ORGAN WORKS
Christian Barthen, Stefan Frank, Bernard Haas, Hans-Jurgen Kaiser, Edgar Krapp, Ludger Lohmann, Wolfgang Rubsam, Josef Still, Kirsten Strurm & Martin Welzel
organs of  Evangelical Church, Giengen an der Brenz – Fulda Cathedral – Trier Cathedral – Passau Cathedral – St Martin’s Cathedral, Rottenburg am Neckar – Christuskirche, Mannheim – Rockefeller Chapel, University of Chicago.
NAXOS 8.501601 (over 19’) 16CDs

Described as “the greatest German composer for organ since Johann Sebastian Bach” Reger’s catalogue is prolific. Here Naxos has created a wonderful collection of his complete organ works. Large scale compositions include the Symphonic Fantasia & Fugue & Fantasy & Fugue on B-A-C-H. Alongside these are the exstensive chorale settings and smaller scale pieces . The use of twelve organists and seven different instruments brings added variety and interest to this most useful and well-presented set. A very useful reference work as well as a source of hours of entertainment and inspiration.

SP

PULL OUT ALL THE STOPS – 2

THIERRY ESCAICH
Royal Festival Hall, London 2nd November 2015

THIERRY ESCAICH

After the brilliantly eclectic opening concert with James McVinnie and members of Bedroom Community in September the series continued with a solo concert from French virtuoso Thierry Escaich. As well as being a well established performer he is rightly known as a skilled practioner in the art of organ improvisation.

The evening opened with a flamboyant rendition of Bach’s Toccata & Fugue in D minor (Dorian). This left the audience in no doubt about the power of the RFH instrument or of Mr Escaich’s ability to control it. To my ear the pedal line in the fugue could have benefitted from a more positive registration.

Two contrasting movements from Vierne’s Symphonie No 4 in G minor allowed some different voices to be heard. In Alain’s Variations sur un theme de Clement Jannequin we were taken back in time to a Renaissance sound world, albeit with 20th Century interventions. There was some beautiful registration here. The second piece by Alain, Litanies, (“an incessant repetitive musical prayer”), was given a passionate rendition, mostly at breakneck speed.

The second half really allowed Thierry to showcase his skills as an exciting performer, arranger and improviser together with much more variety of registration, style and mood.

His own arrangement of Liszt’s Les Preludes opened in dramatic style but also had moments of intense beauty. There were bombastic pedal reed passages contrasting with ethereal tremulant flutes. A very exciting and engaging performance, as was the extended improvisation, Tryptique (on given themes). Throughout Thierry masterfully wove contrasting rhythmic and harmonic ideas using a variety of registration and contrasts of style and dynamic. The second melodic fragment, Scarborough Fair, kept reappearing in a variety of surprising guises. A wonderful experience.

A brisk encore followed the enthusiastic applause of the appreciative audience, bringing a very entertaining evening to a close.

The next concert in the series features David Titterington on February 8th 2016.

Stephen Page in Battle

Emmanuel Centre Battle, 31 October 2015

S Page Battle Oct 15 (7)

Stephen gave the last recital in the old Methodist Church and has now given this first organ recital in the new Emmanuel Centre, though the organ is the same and he opened with the final work heard in the old church – Karg-Elert’s Choral Improvisation on Nun danket.

If the organ is not quite up to the rigours of late romantic music it certainly has enough scope to provide some very beautiful sounds, particularly in more reflective works. In the first half Martin Howe’s Elegy and two choral preludes by Michael Corah were particularly effective. The three pieces by Bach also demonstrated the strengths of the organ in a bright reading of Wir glauben all’an einen Gott and a briskly cheerful Badinerie.

The second half brought a more relaxed feel with Saint-Saens’ Danse Macabre setting a proper mood for Halloween before the softer tones of Howells’ Preludio sine nomine. A lengthy tribute to John Williams allowed us to spot the tunes from a wide range of popular block-busters, with Harry Potter sneaking in between the super-heroes. The final piece was a splendid coming together of the popular and the classical with Lefebure-Wely’s Sortie in E flat.

The large audience responded with enthusiasm and looked forward to further events in this new but already highly valued venue.