English National Opera launches free tickets for Under 18’s 

English National Opera (ENO) today (Tuesday 18 December) announces that anyone aged under 18 will get free tickets to ENO productions on Saturdays. The tickets will be for seats in the Balcony and be available for any or all of the 11 Saturday performances in the Spring 2019 season in the London Coliseum.

This scheme dramatically expands ENO’s audience engagement strategy and forms part of the company’s central mission to ensure the art form is accessible to everyone.

Children under the age of 16 will need to be accompanied by an adult. However, as part of the initiative, adults who pay full price for a balcony ticket can bring up to four children under 16 free of charge. Teachers bringing school groups can accompany up to 10 children under 16 and free of charge. Children aged 16 and 17 can be unaccompanied, and can book one ticket to each performance free of charge.

The applicable performances are: Akhnaten (23 Feb, 2 Mar); La bohème (2, 9 & 16 Feb); The Merry Widow (9 Mar, 13 Apr); The Magic Flute (16 & 23 Mar, 6 Apr)and Jack the Ripper: The Women of Whitechapel (30 Mar).

Bookings for free tickets can be made via the ENO Box Office phone line 020 7845 9218.

The balcony is widely regarded as having acoustically the best seats in the house. Additionally, the London Coliseum is unique in that all seats have unrestricted views of the stage.

ENO CEO Stuart Murphy said: “We were founded on the belief that opera is for everyone. We strive to continually stage opera of world class quality and bring it to as many people as possible. Removing cost as a barrier to entry for Under 18’s is a seismic leap forward for ENO and for opera as a whole, and we hope to entice as many Under 18’s as possible, from the musically obsessed, to the just plain curious. ENO is founded on passion and we want young audiences to feel alternately passionate, excited and transfixed. We can’t wait to welcome them to the London Coliseum.”

New Year’s Eve Viennese Gala – Brighton Philharmonic Orchestra

Brighton Dome, Mon 31 December, 2.45pm

Richard Balcombe makes a welcome return to Brighton as guest conductor for the Brighton Phil’s annual Viennese Gala, joined by the Russian-born soprano Ilona Domnich whose lyric coloratura will add sparkle to our afternoon with a selection of delightful songs and arias from well-known operettas and musicals from the 19th century and beyond. This is always one of our most popular concerts of the season and, now in its 29th year, is firmly established as part of the city’s festivities. We nearly sold out last year so if you would like to join us to see out the old year and welcome in the new, book your tickets now to avoid disappointment!

Originally destined to be a pianist, Ilona was plucked from a masterclass by legendary singing teacher Vera Rósza, and won the prestigious Wingate Scholarship to study at the Royal College of Music. She was chosen by Opera Now Magazine as one of their top ten high flying sopranos destined to have impressive careers, in which a personal highlight has been a masterclass with Montserrat Caballé. Ilona is also an actress and has developed and performed a one woman show based on songs sung by Marlene Dietrich, Jacques Brel and Edith Piaf.

As you would expect this concert will be a programme full of musical gems from the waltz kings of Vienna – the Strauss family – with an array of waltzes, marches and polkas from this talented musical dynasty who dominated the music scene in Vienna throughout the 19th century. Alongside these evergreen favourites Richard Balcombe has also included songs by Ivor Novello and Oscar Straus (no relation), Charmaine (made famous by Mantovani) and the Westminster Waltz by Robert Farnon. The full concert programme is available at: www.brightonphil.org.uk/concerts  

We are most grateful to the John Carewe Brighton Orchestra Trust for their continued support of the Brighton Philharmonic Orchestra and of our annual New Year’s Eve Viennese Gala.

 

Tickets £12.50-£39.50 (50% student/under18 discount, children just £1) are available from Brighton Dome Ticket Office, 01273 709709, www.brightondome.org

Discounted parking for concert-goers is available in the NCP Church Street Car Park – just £6 between 1pm and 6pm. Simply collect a follow-on ticket at the concert.

 

 

 

 

 

‘Christemas Past’ with The Telling in candlelight

St Paul’s Worthing on Wednesday December 19 (8pm)

  • “beautifully borne” Sean Rafferty, BBC Radio 3
  • “sung with perfection that is heart-stopping” Worthing Herald
  • “We flew back over 700 years to the strumming of a harp, a candle’s flicker and exquisite, plaintive song” The Latest

Medieval English and later European carols in a special authentic ambience and period atmosphere in Worthing’s most responsive performing space.

A stimulating eve-of-Christmas vocal event.

Tomorrow (Dec 8), The Telling are live on BBC Radio 4’s ‘Saturday Live’, from 9am. They’ll perform a traditional Catalan carol from Spain (‘El Noi de la Mare’) and an English medieval one (‘Lullay, My Child’). Both will be in their Worthing Concert. 

See this news here: https://mailchi.mp/039d710b8c43/vision-and-christemas-past-on-tour-near-you-269909?e=e2e3e5ec24

If you miss it, catch up here: https://www.bbc.co.uk/programmes/m0001gnv

Specialist early music international recording artistes – soprano and mezzo Clare Norburn and Ariane Prussner (Germany) with medieval harpist Kaisa Pulkkinen (Finland)  and some hand percussion – plus the spoken word of TV, radio drama and audio books voice, Patience Tomlinson, in some classic seasonal readings.

Dialogue with the artistes in a short Q&A, and a couple of intriguing and inviting gift stalls that could solve your gift-buying problems – even be a treat for yourself! And a preview of two visits The Telling will make to this venue in March and October.

Special heating measures assured at a venue experiencing boiler problems at the moment!

Tickets from St Paul’s cafe counter or online via here: https://stpaulsworthing.co.uk/blog/event/christemas-past-with-the-telling/

Hear The Telling singing ‘Ther Is No Rose’: https://www.facebook.com/clare.norburn/posts/10156809295807889

Brighton Philharmonic

The Brighton Phil’s concert on Sunday 2 December at Brighton Dome is dedicated to the memory of Ted (Edward J) McFadyen who died, aged 88, in December 2016. Ted had been a Friend of the Phil for 30 years and was from time to time a Patron of the orchestra and sponsor of concerts. He left a generous bequest in his Will to the orchestra for which the Brighton & Hove Philharmonic Society is most grateful.

Ted was a journalist, living and working in London before moving to Brighton in the early 1970s when he began to attend Brighton Phil concerts. A committed trade unionist all his working life, he was also an avid anti-nuclear campaigner and a member of the famous ‘Committee of 100’, the precursor of CND, taking part in the annual Aldermaston marches. He wrote an influential pamphlet for journalists about HIV and Aids “because there were so many distortions and lies at the time and we felt they needed to be told what was what”. He was also responsible for Gay Rights at Work, a booklet that played an important role in persuading trade unions to better support their gay members. As an energetic member of the Sussex Playwrights club Ted wrote and performed in plays. He was actively involved in local gay rights campaigning and with the management of Brighton Gay Switchboard.

The Society is delighted that several of Ted’s friends (who tell us that Ted was very fond of Mozart and Beethoven) will be attending the concert which takes place at 2.45pm. Conductor Ben Gernon is joined by Tamsin Waley-Cohen (violin) in a programme that includes Mozart’s Symphony No.35, Mozart’s Violin Concerto No.5 and Beethoven’s Symphony No.7. Tickets (£12.50-£39.50) from Brighton Dome Ticket Office (01273) 709709 www.brightondome.org

Ensemble OrQuesta: L’Incoronazione di Poppea 2019

Having had two consecutive years of critical acclaim with several 4-star reviews and audience praise at the prestigious Grimeborn Opera Festival at the Arcola Theatre, Ensemble OrQuesta are delighted to be bringing one of their exciting baroque opera productions to the intimate setting of the Cockpit Theatre.

Marcio da Silva’s sensual and daring minimalist production of Monteverdi’s early 17th century opera L’Incoronazione di Poppea will be performed by a cast of talented up and coming singers, accompanied by the Ensemble OrQuesta Baroque.

The tense and dramatic plot revolves around the historical figure of the Emperor Nero and his lover Poppea, who persuades him to abandon his wife Ottavia and make her his Queen instead. This is a potent political tale of love and lust, power, vengeance and death, where good does not in fact prevail in the end.

Performances will be in Italian with English surtitles, and will take place on 30th, 31st January and 1st February, at 7:30pm. Ten singers, baroque violins, cello, lute, organ and harpsichord will unite in a thrilling baroque explosion! Cockpit Theatre: Gateforth Street, London NW8 8EH

Tickets:http://thecockpit.org.uk/show/lincoronazione_di_poppea_monteverdi £12-£17

Stage/Music Director Marcio da Silva
Music Director/Harpsichord Stephanie Gurga
Harpsichord Petra Hajduchova
Archlute/Baroque Guitare Cédric Meyer
Violin Eleanor Harrison, Rudolf Balázs
Cello Carina Drury

 

Poppea Kathleen Nic Dhiarmada
Nerone Eric Schlossberg
Seneca Marcio da Silva Ottavia
Sophie Levi Arnalta Kieran White
Drusilla Joana Gil
Amore/Damigella Sarah Matousek
Valetto/Fortuna Maya Wheeler-Colwell
Virtu/Liberto/Pallade/Lucano Celena Bridge
Ottone Helen May

w w w . e n s e m b l e o r q u e s t a . c o m

Brighton Philharmonic Orchestra celebrates its 500th concert

Brighton’s only resident professional orchestra, the Philharmonic, presents its 500th concert on Sunday 2nd December. Founded 94 years ago as the Symphonic String Players, it has been presenting orchestral concerts without a break since 1927 in the historic Brighton Dome and officially became the Brighton Philharmonic in October 1958. The exciting young British conductor Ben Gernon will be conducting this very special event and will be joined by another young British musician, the violinist Tamsin Waley-Cohen.

Over the past 60 years the orchestra has performed almost 2,500 works and is proud that throughout this time there have been only three Musical Directors. Mozart has been the most frequently played composer and our concert on December 2nd celebrates this with two works by Mozart, his energetic Symphony No. 35 written for his childhood friend Sigmund Haffner, and his exotic 5th Violin Concerto, nicknamed “Turkish” after its Turkish–sounding final movement. The concert concludes with Beethoven’s Symphony No.7 which the composer himself considered to be “one of my best works”.

Tickets (from £12.50-£39.50 – 50% student/U18 discount, children just £1) are still available from Brighton Dome Ticket Office, (01273 709709) or online at www.brightondome.org

 

 

Tenors Unlimited return to the Opus Theatre

Number one selling operatic trio Tenors Unlimited, the ‘Rat Pack of Opera’ will be performing Christmas charity concert at Opus Theatre Hastings on
Friday 7th December 19:30
in aid of local charity The Little Hands & Art with local choir
Guestling-Bradshaw C.E Primary School

Number one operatic trio Tenors Unlimited, the ‘Rat Pack of Opera’, will be performing a Christmas charity concert at the Opus Theatre, Hastings on Friday 7th December 19:30 in aid of local charity The Little Hands & Art. They will be joined by local choir Guestling-Bradshaw C.E Primary School. The group is currently touring the UK and will touring the USA and the UK next year. Jem Sharples, a member of the group, is from Hastings.

This is fresh from Tenors Unlimited’s recent chart-topping success with “Who is He?” in aid of The Salvation Army which went in at number one on the iTunes classical chart.

Jem Sharples from Tenors Unlimited who lives in Hastings says “We’re delighted to be performing in my home town and hope as many people as possible attend to support The Little Hands & Art, which is such a worthy cause. This will be a special Christmas concert with lots of favourites.”

Tickets cost adults £15; children under 16, £7.50. To buy tickets, visit www.tenorsunlimited.com/tour (also available from Waterfalls, Hastings and Hastings Tourist Office, Muriel Matters House, Hastings.)

Tenors Unlimited – Paul Martin, Jem Sharples, Scott Ciscon – will be performing Christmas favourites such as “Oh Holy Night”, “Silent Night”, “Have Yourself A Merry Little Christmas” and “Hark the Herald Angels Sing” as well as diverse and fun songs from their current theatre tour “From Venice to Vegas”. This will include ‘Nessun Dorma’, “Can’t Take My Eyes Off You’ and songs written by the group themselves.

Tenors Unlimited has performed alongside such notables as Sting, Lionel Richie, Beyoncé, Hayley Westenra, Simply Red and the Royal Philharmonic Orchestra to name a few. During 2017, they have been playing to sell out shows in the USA and Bermuda and are currently touring the UK. See footage of their performanceshttps://www.tenorsunlimited.com/media

Local charity The Little Hands & Art (formerly known as Hands around the World) was born after the tsunami in 2004 which struck Thailand. The charity raised money for children caught up in it and who lost everything. The charity bought a mobile art unit which provided art therapy for distressed children and continues to help other children from deprived areas or in stressful situations. The charity continues to provide food and medicines for poor families and supports an orphanage. More information: http://bit.ly/2ikZEa6

Guestling-Bradshaw C.E Primary School Junior Choir has performed at concerts and events in Hastings, performed at Hastings Music Festival and was runner-up in the 1066 Choir Competition last year.

For 15 years, Scott Ciscon, Paul Martin and Jem Sharples have entertained audiences throughout the world.  Using talents honed in their previous solo careers in opera and theatre, they bring their own blend of wit, charm and vocal arrangements to their performances. Alan Titchmarsh OBE said “21st century tenors, great fun, great voices and a great evening.” Tenors Unlimited sang at the memorial service for football legend Sir Bobby Robson and sang live at Wembley Stadium at the FA Cup final.

Jem Sharples from Tenors Unlimited says “We perform a wide repertoire of all music so there is sure to be something for everyone.”

Their latest album “The Journey” can be purchased online from their web site www.tenorsunlimited.com via iTunes, Amazon and GooglePlay.

ENO revival of La bohème

Natalya Romaniw makes her ENO debut as Mimì in the fourth revival of Jonathan Miller’s production of La bohème 

After forty years and more than eighty revivals of operas from across the operatic repertoire, legendary director Jonathan Miller’s work returns to ENO in November with his beautiful 1930s-set La bohème. Inspired by the Parisian aesthetic captured by photographers like Henri Cartier-Bresson and Robert Doisneau, this ‘beautifully integrated piece of music theatre’ (The Guardian) marks its fourth revival since its first outing in 2009. One of Britain’s most exciting sopranos Natalya Romaniw makes her ENO debut as Mimì.

One of opera’s iconic tragedies, La bohème tells of the impoverished poet Rodolfo’s love for the doomed Mimì during a freezing Paris winter, here updated from the 1830s to the 1930s. Miller’s naturalistic storytelling along with Isabella Bywater’s richly observed design make this a perfect example of a first-time opera for new audiences. The cast includes Jonathan Tetelman in his ENO debut as Rodolfo and ENO Harewood Artist Nadine Benjamin as Musetta, with three other Harewood Artists taking principal roles.

Welsh soprano Natalya Romaniw is ‘one of the outstanding sopranos of her generation’ (The Daily Telegraph), hugely acclaimed for her roles as Tatyana inEugene Onegin for Garsington Opera (2016) and Welsh Nationa Opera (2017) (‘a Tatyana in a thouasand’ – The Sunday Times, ‘one of the performances of the year’ – What’s On Stage) and the title role of Jen?fa (‘a wonder to behold’ – The Daily Mail) at Grange Park. She was nominated for the Breakthrough category at the South Bank Sky Arts Awards in 2017.

Jonathan Tetelman is a fast rising tenor (‘a total star’ – The New York Times) who makes his European debut in this production. Praised for his singing of Rodolfo at Tanglewood earlier this year, he has won First Prize in the 2016 New York Lyric Opera Competition. His singing of Puccini continues in 2019 with a Cavaradossi in Tosca at the Festival d’Aix-en-Provence.

Musetta is sung by ENO Harewood Artist Nadine Benjamin, in her second production with the company after her Clara in Porgy and Bess earlier in the season (‘one of the loveliest I’ve heard’ – The Times). She will appear as a guest on the Guilty Feminist podcast, recorded live at the London Coliseum on 27 November. With more than 50 million downloads the podcast is a comedy phenomenon, and will turn its attention to opera with a little help from Benjamin.

Baritone Nicholas Lester sings Marcello, having sung as the title role opposite Romaniw in Eugene Onegin for WNO.  Bass David Soar returns for a second engagement of the season after his Jokanaan in Salome, singing Colline after performing the role at the Metropolitan Opera, New York, earlier in 2018. ENO Harewood Artist David Ireland shares the role, singing in four of the fifteen performances.

Schaunard is sung by Božidar Smiljani?, sharing the role with fellow ENO Harewood Artist Matthew Durkan. He debuted with the company earlier in the year as the Marquis in La traviata. Durkan has been seen in numerous ENO roles, most recently as Hel Helson in Paul Bunyan at Wilton’s Music Hall, as well asDemetrius in A Midsummer Night’s Dream, Fiorello in The Barber of Seville and Malcolm Fleet in the world premiere of Nico Muhly’s Marnie.

The cast is completed by Simon Butteriss as Benoît and Alcindoro.

Conducting the production is Alexander Joel, former General Music Director at Braunschweig State Theatre, making his ENO debut. With a varied and impressive career on the continent, he was last in London to conduct Rigoletto at the Royal Opera House. He has been praised for his more than 100 performances of La bohème (‘Outstanding’ – The Spectator), having conducted it more than 100 times. He is assisted by ENO Mackerras fellow Valentina Peleggi, who will conduct the 20 and 22 February performances in her company debut.

Opens Monday 26 November (15 performances)

Dancing Fires & Fragrances

Worthing’s Autumn Interview Concert

“Her playing bristled with character of many types” . . . “Edge-of-your-seat Haydn” [Sonata No 52 in Eb]. . . “mesmerising Stravinsky” [The Firebird] . . .“The best piece of piano playing I’ve heard in 10 years” [Ravel, La Valse].

. . . Things said and written this year about pianist Rhythmie Wong, who is the next Interview Concerts guest artiste at St Paul’s Worthing on Sunday November 18 (3.30pm for 4pm). Indicative of her artistic breadth and background, she also plays violin, clarinet and composes. A young native of Hong Kong, incidentally, her parents named her sister Melodie.

Rhythmie Wong’s repertoire for this concert  creates a feast for the senses and imagination. Her poetry and virtuosity ignited and sent shimmers of admiration and anticipation through the Sussex International Piano Competition (SIPC) at Worthing in May. She is one of the three finalists due automatically to appear in these now keenly-awaited concerts.

The International Interview Concerts are Worthing’s intimate open door into the music that changes so many people’s lives. They are not the spectator world of stadium rock, large concert hall or formal recital room, but great music in personal close-up to be experienced by anyone.

The performer sits with the audience as though in a large domestic setting, and direct connection comes through personality-revealing conversation alongside the music performance. The informality creates a bond shared among the audience.

Each Interview Concerts celebrates its internationality and is creatively given its own presentation flavour, ambience and look. The feel is warm and inclusive. Seating is in the Round. The Ask A Question section is for the audience. They respond, react and interact in the Mystery Music Spot.  They can meet the artiste afterwards.

Rhythmie co-conceived the new feature Mystery Music Spot and brings from her base in Cologne a head full of exciting solo piano music in a remarkable programme of unaccustomed power, stature and atmosphere, entitled ‘Dancing Fires & Fragrances’.

There is Russian fairy-tale ballet music from Stravinsky’s beloved ‘The Firebird’ in Agosti’s transcription from the magical, mesmeric orchestral music. Another translation into piano comes from the highest French expert, Ravel – his own vivid ballroom costume drama, ‘La Valse’. Rhythmie’s account of this startling piece caught experts’ breath during the SIPC as she surmounted its multiple demands.

She will bring alive songs, tunes, dances and fragrances in two extracts from the greatest Spanish piano music. Book 1 of ‘Iberia’ by Albeniz and, by his friend Granados, ‘The Maiden and The Nightingale’, from his suite ‘Goyescas’, inspired by the paintings of Goya and later to spawn an opera. These nostalgic, pictorial pieces, range from nocturne and evocation, through fandango, jota and zapateado, to a full-scale public parade in Seville.

She will become the first person to play Haydn at The Interview Concerts. It will be his expansive abd masterly final Piano Sonata (No 52 in Eb), in which later we can revel in her rare ability to transmit and share the fun and teasing humour in Haydn. She plays him superbly.

The St Paul’s piano will be hitting heights on a scale not since Dinara Klinton’s transcendent Liszt, Beethoven and Scarlatti two Junes ago. And among the Interview Concert surprises will be some Chinese, with which Rhythmie will return the international welcome Worthing will be giving her.

Facebook Event Page

https://www.facebook.com/events/265960770677892/

Seats unreserved . Doors at 3.30pm. Ticket prices top at £12 adult. Concessions down to £1 for Under-19s. Available in person from St Paul’s cafe-bar, or at seetickets.com

https://www.seetickets.com/event/rhythmie-wong-s-dancing-fires-and-fragrances-/st-paul-s-worthing/1254059