LOOKING DOWN BOTH BARRELS with Adrian Manning & John D Robinson

 

© Adrian Manning 2017
© John D Robinson 2017
© Janne Karlsson  Cover Art 2017
ISBN: 978-0-9932068-6-3
Published by John D Robinson: Holy&intoxicated Publications: UK;

There are times when this new collection of poems from Adrian Manning and John D Robinson makes for difficult reading, for it is honest – and confrontational in its honesty. Many of the poems reflect loss and the contemplation of failure, but equally the overriding necessity to wrestle with the depths we find ourselves in and to rise above them.

As such it is ultimately optimistic in the face of potential despair. AND FAHRENHEIT 451 EVENS THE SCORE and THE BLANK PAGE (pasted below) sum up the approach to the eternal problem of being driven to write yet always facing the reality of trying always to write something worth saying.

The two writers complement each other and as such the collection makes for a highly satisfying whole.

Poet Rob Plath in an end note says Each poem is truth drilled into the page. Highly recommended.  A sentiment I would entirely endorse.

BH

 

AND FAHRENHEIT 451 EVENS THE SCORE

if you’re gonna
write a poem
write words
that will burn
words that will
burn
the paper they are
written on
the eyeballs
that read them
and leave
nothing
but the message
scorched
into the
earth
and the
memory

 

THE BLANK PAGE

the blank page lies
ahead
a sea of possibility
sometimes a friend
sometimes the enemy
who knows what will surface
pale headed horses
grinning wide
mouthed happiness
or dark ghosts
treading the waters
of fear
limited days
and time
will
tell

AFTER RAY BREMSER

I choose not to socialise, I
have always felt awkward
and increasingly
uncomfortable in such
situations: I stay away
from the bars and
parties and refuse
every invitation: I lead a
quiet life now and I
think of the words of the
armed robber and poet,
Ray Bremser
when asked if he had
any grandchildren:
‘I don’t know, I don’t
want to know, don’t
want no more pain’
fucking right, keep the
people at a distance
because for sure, only
hurt can come of it.

 

Brighton Philharmonic Orchestra

In the Brighton Phil’s Remembrance Sunday concert at the Dome on 12 November music by some of Britain’s greatest 20th century composers sits alongside a vivid re-imagining of an 18th century masterpiece.

The orchestra is joined by the violinist Matthew Trusler who performs Benjamin Britten’s emotionally and technically demanding Violin Concerto, mysterious, martial and melodic by turns. Written in 1939 the concerto was heavily influenced by the escalation of hostilities in Europe.

The concert opens with Bach’s Toccata & Fugue (arranged by Leopold Stokowski) familiar to many from the opening scenes of Disney’s Fantasia (1940) when Mickey Mouse shakes hands with The Conductor, Stokowski himself.

Then we have George Butterworth’s evocative A Shropshire Lad which was written in 1913, based on poems by AE Housman. This sumptuous orchestral rhapsody conjures up the rural idyll of Edwardian England that was to change forever in the First World War, where Butterworth was to lose his life in the trenches.

The concert ends with Vaughan Williams’ powerful Symphony No.4 which was written in 1935 as the storm clouds of war gathered over Europe. This craggy and at times ferocious piece is shot through with the composer’s rage, humour and poetic nature.

Tickets (from £12-£38) are available from Brighton Dome Ticket Office in Church Street, Brighton, (01273) 709709 and online: www.brightondome.org 50% discount for students and Under 18s.

Discounted parking is available for BPO concert-goers at NCP Church Street – just £6 between 1-6pm.

 

 

St Nicolas Pevensey – new CD

In 2016 St. Nicolas church hosted a series of memorable concerts to raise funds for the restoration of the church. Work on this is currently under way and a celebration concert for the completion of the eleven year project will be held on April 21st next year, 2018. More information about this exciting and very special event will be circulated in the New Year, but make a note of this date!

In the meantime an 800th Anniversary Concert Highlights DVD is in preparation and will be available if demand justifies this.  The performances are introduced by the musicians who have authorised their contributions for inclusion on this exclusive and entertaining disc, and. They include:-

                              The Canterbury Cathedral Choristers
                                 Maria matrem – Michael McGlynn
                                 Silent Worship – G.F. Handel
                                 Tecum principium – Antonio Vivaldi
                                 Ave Maria – Giulio Caccini
                                 Fantasie – Camille Saint-Saëns, (Guy Steed, organ)

 

                             Catherine Rimer – ’cello
                              Suite No. 5 in C minor – JS Bach 
                              (movements on period instrument)
                                          Fugue
                                         Courante
                                         Sarabande
                                         Gigue
 
                             The King’s Singers
                                Trois chansons de Charles d’Orléans – Claude Debussy
                                I’ve got the world on a string – Harold Arlem
                                Alice in Wonderland – Spike Milligan
 
                              Harvey’s Brass
                                Slavonic Dance No. 8 – Antonin Dvo?ák
                                Soul Bossa – Quincy Jones
                                Keep young and beautiful – Al Dubin
                                Charleston – James P Johnson

 

                             Pasadena Roof Orchestra ‘Hot Five’
                                When you’re smiling – Louis Armstrong
                                Stardust – Hoagy Carmichael
                                Cake walking my baby back home – Sidney Bechet

 

If you have Christmas in mind then this disc could make a unique present for friends and family who really enjoy lovely music performed by gifted performers in the wonderful acoustics of St. Nicolas church. The monies raised from sales will contribute to the upkeep and maintenance of the restored building.

Orders are now being taken (up until 26th November) for this DVD which plays for over 1hr 15mins.

The disc will be issued on a first come first served basis. Please apply – in writing only – with full payment for as many as you require.  Availability however is subject to the number of discs ordered covering the costs of production and distribution. The minimum total number required making the disc profitable and worthwhile to the church is one hundred. Should orders fail to reach this number, payments will be returned, and the Celebration disc will not be produced.

Application Procedure

All applications with payments should be sent to

George Stephens,
10 Leasingham Gardens,             
Bexhill on Sea, TN39 4DZ,

Payment cheques should also be payable to me ‘George Stephens’. Discs cost £12 (including P&P) or £10 each if collected at St Nicolas church on Sundays once the ordered discs are available in December.

Please ensure you provide full address details whether applying for postal delivery or for personal collection.

Your order must be received by George Stephens by Sunday 26th November please.

Applicants will be told when the discs are available. I cannot enter into correspondence once applications have been made.

If you came to the concerts I really do hope you will re-live some varied and thrilling music from the 2016 Concert Season. If you didn’t or couldn’t come you’ll soon realise what and how much you missed!

Hastings Philharmonic

The second Hastings Philharmonic concert of the season is due to take place at St Mary in the Castle on Saturday 4 November at 7pm. This time the Choir and string orchestra have an interesting mix of beautiful choral and orchestral classical and modern music to please a range of tastes. The Schubert and Mozart contrasts with the Britten and Holst bridged by one of Elgar’s finest orchestral pieces.

Benjamin Britten’s Cantate Misericordium is possibly the least well known of the pieces, but it deserves a public performance for its dramatic depiction of the parable of the good samaritan. It celebrated the centenary of the Red Cross and a non-sacred text in latin was specially commissioned to attune with the non-religious ethos of the Red Cross. The premiere in 1963 produced fine performances from Peter Pears and Dietrich Fischer-Dieskau and this performance will feature the excellent solo voices of Kieran White and Jolyon Loy. The choir have worked hard to reach the required speed and drama in the dissonance with the help of Marcio da Silva’s expert direction.

The two orchestral pieces in the programme are Mozart’s Serenata Notturna in D and Elgar’s Serenade for Strings which entertain in a way that may be expected of Mozart at his best, and Elgar is thought to have reworked an earlier suite to combine youthful creativity and maturity of style – it was purportedly the first of his compositions with which he professed himself satisfied.

It is always a delight to hear Schubert’s Mass in G, probably the best known and popular of his masses. The audience will be able to welcome back the beautiful soprano voice of Helen May to sing with the choir and above-mentioned tenor and baritone. Gustav Holst’s ‘Two Psalms’, whilst produced in the early 20th century, has a hauntingly familiar archaic flavour, simple and repetitive, suggesting plainchant.

Hastings Philharmonic Choir and Orchestra, conducted by Marcio da Silva, 4 November, 7pm at St Mary in the Castle, Pelham Crescent, Hastings TN34 3AF. Tickets £20/£17.50/£15.50 (Under 16 £5) https://www.musicglue.com/stmaryinthecastle/events/2017-11-04-hastings-philharmonic-choir-and-orchestra-st-mary-in-the-castle  

The International Interview Concerts at St Paul’s, Worthing

DUO Arnicans – Arta Arnicane (piano) Florian Arnicans (cello)

Recording artistes from Zurich with CD albums together and solo on the Solo Musica label (Sony) and Arcodiva:

“Special affinity . . . powerfully attractive”  –  Music Web International
“superb partnership” –  Pizzicato
“Brilliant! What I call a discovery!”  –  Vienna Zietung

St Paul’s Cafe, Worthing BN11 1EE 
01903 368967                                                             
Thursday 2nd November 2017
Doors at 7.00pm; Starts at 7.30pm

Tickets:                                                                                                                               £13 Adult; £11 WSS members; £5 Students; £1 Up-to-18; Unreserved seating

http://www.seetickets.com/event/the-duo-arnicans-interview-concert/st-pauls/1136699

https://stpaulsworthing.co.uk/events/

Arta’s website (also containing DUO Arnicans): https://www.artaarnicane.com

Florian’s website: https://www.florianarnicans.com

So what’s an Interview Concert? It’s a compelling, affordable, intimate and social experience:

  • Audience ‘In the Round’ –  close-up and connecting
  • Seating unreserved –  buy, then choose where to sit – no ‘expensive’ seats
  • Interviews with the artistes –  get to know them, and the music played
  • Audience questions –  you can have your question asked, too
  • Cafe open –  tasty St Paul’s fare on sale before, in the interval, at the end
  • CDs on sale – solo piano or duo; take some DUO Arnicans music home with you
  • Meet the musicians afterwards –  interaction, reciprocation

It’s another return with her husband to Worthing for popular Arta Arnicane (Latvia), winner of the 2010 Sussex International Piano Competition (SIPC) and subsequent concerto appearances with Worthing Symphony Orchestra, a solo Interview Concert in 2012 and a concert together during the 2013 SIPC, when Arta was a guest juror in the competition.

It will be a second visit here for Florian Arnicans (Germany) and with him this Interview Concert showcases the cello’s distinctive, stirring and enveloping ability to sing like a human voice. If you’ve not experienced it before, this evening will unveil to you to this beautiful instrumental combination.

The cello will team up with the piano’s ability in the hands of Arta to sing back and combine, to make music to stay with you long after you’ve been at this concert. Their programme of solos and duos is subtitled with the Latin American name for song, Canción, and will be an example of Arta’s special artistry in creating imaginative and rewarding programmes.

Both will be interviewed and already Worthing audiences know and revere Arta’s powers of happy verbal communication. We’ll be hearing Florian in conversation for the first time. Married with one son, they are based in Zurich, Switzerland. They play St Paul’s after a lunchtime concert appearance at the London School of Economics & Political Science.

Their ‘Programme Canción’: “The Cello Sings”

Johann Sebastian Bach  –  Arioso (melodious and vocal)
Franz Schubert  –  Ständchen (serenade)
Felix Mendelssohn  –  Lied ohne Worte Op.109 (Song without Words)
Antonin Dvorak  –  Melodie
Pablo Casals  – Song of the Birds
Maurice Ravel  –  Pièce en forme de Habanera (sultry Spanish dance)
 Josef Suk  –  Serenade

(interval)

Johannes Brahms  –  Sonata for Cello and Piano in F major Op 99

  • Allegro vivace (quick; animated, lively)
  • Adagio affettuoso (slow; but warm-hearted and affectionately)
  • Allegro passionate (quick; passionately)
  • Allegro molto (very quick)
In 2013, Arta and Florian delighted the audience with Brahms’ first cello sonata. Here now comes the equally superb second. Brahms could play both instruments!

 

Brighton Philharmonic Orchestra at Brighton Dome

First concert of the new season this Sunday 8 October, 2.45pm

The nights are drawing in, and the children are back at school, but whilst for some this heralds the onset of the winter months, the Brighton Philharmonic Orchestra is looking forward to their new season of Sunday afternoon concerts at Brighton Dome. The season opener on Sunday 8th October features works by the greatest masters of Romanticism – Schumann, Tchaikovsky & Brahms. The orchestra, under Conductor Laureate Barry Wordsworth, is joined by exciting young Romanian pianist Alexandra Dariescu playing Tchaikovsky’s popular Piano Concerto No.1, a wonderful piece full of intense melody, surging power and quiet introspection.

Alexandra was recently named as “one of 30 pianists under 30 destined for a spectacular career” by International Piano Magazine and her most recent CD is of this piano concerto and well worth a listen. Alexandra is also a keen cyclist and in June she completed the London to Brighton Bike Ride on a custom built bicycle made for two. She will be arriving by train for the concert though!

The programme also includes Brahms’ lyrical Symphony No.3 which charts a musical journey from turbulence to tranquillity and has a reputation as one of his most artistically perfect works. And the concert opens with Schumann’s dramatic overture to the opera Genoveva, which is full of themes of betrayal and reconciliation in music of exquisite tenderness and high drama, inspired by a medieval German legend and heavily influenced by Wagner.

Tickets from £12-£38 are available from Brighton Dome Ticket Office in Church Street, (01273) 709709 or online: www.brightondome.org.  Discounted parking is available at NCP Church Street Car Park.

Brighton Philharmonic Orchestra’s new season at Brighton Dome

The nights are drawing in and the children are back at school, but whilst for some this heralds the onset of the winter months, the Brighton Philharmonic Orchestra and its regular audience are looking forward to their new season of Sunday afternoon concerts at Brighton Dome.

An array of world-class musicians, including Melvyn Tan, Howard Shelley & Michael Collins, join the orchestra to perform popular works by Tchaikovsky, Brahms, Schubert, Rachmaninov, Haydn, Mozart and Beethoven, as well as less well-known gems by Arutunian, Ravel and Malcolm Arnold. Pre-Concert Interviews with these guest soloists take place at 1.45pm before each concert (apart from New Year’s Eve) giving you a fascinating insight into the life and career of a professional musician.

The season opens on Sunday 8th October with Conductor Laureate Barry Wordsworth at the helm, joined by exciting young Romanian pianist Alexandra Dariescu (recently named as one of 30 pianists under 30 destined for a spectacular career by International Piano Magazine) playing Tchaikovsky’s popular Piano Concerto No.1. The programme also includes Brahms’ intensely lyrical Symphony No.3 and Schumann’s dramatic overture to his opera Genoveva.

Particular highlights include a very special Remembrance Sunday concert (12 November) which opens with Bach’s Toccata & Fugue, orchestrated by the great American conductor Leopold Stokowski and familiar to many from the opening sequence of Disney’s Fantasia where Mickey Mouse shakes hands with The Conductor, Stokowski. Then comes Benjamin Britten’s emotional and technically demanding Violin Concerto, heavily influenced by the escalation of hostilities in Europe when it was written in 1939, and performed by British violinist Matthew Trusler. This is followed by George Butterworth’s evocative A Shropshire Lad, based on poems by AE Housman. This sumptuous orchestral rhapsody conjures up the rural idyll of Edwardian England that was to change forever in the First World War, where Butterworth was to lose his life in the trenches. The concert closes with Vaughan Williams’ craggy and powerful Symphony No.4, written in 1935 as the storm clouds of war gathered over Europe.

As part of the city’s festive celebrations the orchestra presents its traditional New Year’s Eve Viennese Gala with a plethora of foot-tapping marches, polkas and waltzes from the prolific Strauss family and lots of sparkly top notes from guest soprano Rebecca Bottone, returning for a second year by popular demand.

Highlights later in the season include Melvyn Tan playing Ravel’s jazz-infused Piano Concerto (3 December), Mozart’s Clarinet Concerto – a Classic FM favourite that has been used in the soundtracks of films such as The King’s Speech and Out of Africa (28 January), Howard Shelley playing Mendelssohn’s melodious Piano Concerto (11 February), and Arutunian’s fabulous showpiece Trumpet Concerto (4 March). Our season closes with Saint-Saëns’ delightful Carnival of the Animals for which the orchestra are joined by the virtuosic piano duo Worbey & Farrell, last seen in Brighton in the Fringe in 2014.

On the morning of the final concert (25 March) we will be holding our popular free Open Rehearsal for children, with a run through of Carnival of the Animals and extracts from Delibes’ comic ballet Coppélia Suite (arranged by our very own Barry Wordsworth).

Tickets are available from Brighton Dome Ticket Office (01273) 709709 or www.brightondome.org  and range from £12-£38. Students and under 18s enjoy a 50% discount, as does anyone receiving Jobseekers Allowance, Pension Credit or Income Support, whilst children can attend for just £1 as part of a Family Ticket. Tickets for the Pre-Concert Interviews are £3.75.

Discounted parking is available for all BPO concerts at just £6 for up to five hours (from 1pm-6pm) in NCP Church Street Car Park, just a couple of minutes’ walk from Brighton Dome.

For full details of the whole season see: www.brightonphil.org.uk

 

 

Opus Theatre recitals

ANTON LYAKHOVSKY RECITAL – 9th September 2017 – 3pm

Part 1

– Arabesque Op 18 by Robert Schumann
– Piano Sonata No. 1 by Robert Schumann

Part 2

– Etudes Tableaux (selection) – Sergei Rachmaninoff
– Preludes (selection) – Sergei Rachmaninoff
– Corelli Variations– Sergei Rachmaninoff

 

OLIVER POOLE RECITAL – 9th September 2017 – 7pm

Part 1

– Goldberg Variations – Johann Sebastian Bach

Part 2

– Ring Cycle Transcriptions (including The Ride of the Valkyries) Richard Wagner (Arr. Louis Brassin)
– Rhapsody In Blue – George Gershwin

 

Opus Theatre, Robertson Street, Hastings

ANTON LYAKHOVSKY & OLIVER POOLE AT THE OPUS THEATRE

 24-25 Cambridge Road,
Hastings TN34 1DJ
9TH SEPTEMBER 2017 at 3PM and 7PM

The Opus Theatre is considered one of the finest concert hall in the South East, in a Grade II listed building created for the best natural acoustics.

The theatre’s centerpiece, however, is the venue’s new and very special concert grand piano, one of the most technologically advanced acoustic instruments in the world, officially baptized as the ‘Phoenix Opus’. This beautiful 9ft concert grand piano has been commissioned by Polo Piatti, the awardwinning British-Argentine composer and concert pianist, who has recently launched the 700 seats Opus Theatre in the 19th century building of the former congregational church in Hastings town centre. Polo is also Founder and Artistic Director of the International Composers Festival in the UK, as well as Founder and Artistic Director of the Hastings Sinfonia Orchestra. To celebrate the arrival of this unique instrument in its new home, the Opus Theatre is delighted to present a very special event. There will be an afternoon recital by Russian virtuoso Anton Lyakhovsy, followed by an evening recital by British prodigy Oliver Poole. Both programmes will include some of some of the most beautiful piano works by Rachmaninoff, Schumann, Wagner, Gershwin, etc. – all performed by two amazing pianists in the perfect surroundings and acoustics of the Opus Theatre. The first performance starts at 3pm and the second at 7pm. Both recitals will be video-recorded live. Tickets for this very special event are on sale from the Opus Theatre website and at the venue on the day, priced at £15 per recital or at a discounted price of £25 for both recitals.

ABOUT THIS EXTRAORDINARY PIANO The Phoenix Opus is a 9ft long grand concert piano, 1 ton in weight, constructed using the latest Phoenix technology including their fantastic carbon-fibre soundboard, fitted to a 1925 Blüthner Style XI acoustic body (widely considered as one of the very best acoustic bodies in existence). It has a WNG carbon fibre/composite action, and the world-famous Phoenix bridge technology. This makes the ‘Phoenix Opus’ not only an extraordinarily beautiful instrument, but the piano with the biggest carbon-fiber soundboard in the United Kingdom as well as and one of the most technologically advanced acoustic pianos in the planet. Read the official press release by Phoenix by clicking here. More information about the venue can be found at: www.opustheatre.co.uk

To read more about Polo Piatti please visit: www.polopiatti.com Opus Theatre – 24-25 Cambridge Road – Hastings – East Sussex TN34 1DJ