{"id":796,"date":"2012-12-29T10:15:50","date_gmt":"2012-12-29T10:15:50","guid":{"rendered":"http:\/\/www.larkreviews.co.uk\/?p=796"},"modified":"2012-12-29T10:15:50","modified_gmt":"2012-12-29T10:15:50","slug":"eno-news","status":"publish","type":"post","link":"https:\/\/www.larkreviews.wickedlemon.co.uk\/?p=796","title":{"rendered":"ENO News"},"content":{"rendered":"

David McVicar returns to English National Opera to direct<\/strong> a new production of <\/strong>Medea <\/em><\/strong>by Charpentier, starring Sarah Connolly in the title role.<\/strong><\/span><\/p>\n

Opening Friday 15 February, 7.00pm (9 performances) <\/em><\/p>\n

Following critically-acclaimed productions of Agrippina, La clemenza di Tito <\/em>and Der Rosenkavalier<\/em>, Sir David McVicar returns to English National Opera to direct a new production of Charpentier\u2019s rarely-performed operatic gem, Medea<\/em>. McVicar is one of the world\u2019s most in-demand opera directors and recently received a knighthood in the Queen\u2019s Jubilee birthday honours. McVicar\u2019s new production of Medea <\/em>follows on from the success of ENO\u2019s 2011 production of Rameau\u2019s Castor and Pollux <\/em>which was awarded an Olivier Award.<\/p>\n

Playing the barbarian sorceress Medea is internationally renowned mezzo-soprano Sarah Connolly. Connolly\u2019s association with David McVicar stretches back to ENO\u2019s 2006 production of La clemenza di Tito, <\/em>where she played the role of Sesto, for which she won an Olivier Award for Outstanding Achievement in Opera. More recently, Connolly has performed in McVicar productions of Agrippina <\/em>and as Octavian in Der Rosenkavelier, <\/em>\u201c[Connolly]\u2026could hardly be better\u201d (Daily Telegraph)<\/em>. Connolly has been nominated for a TMA Award, two Grammy Awards and won an Edison, Gramophone and South Bank Award.<\/p>\n

Teaming up with McVicar is celebrated designer Bunny Christie, making her ENO debut. ENO\u2019s new production of Medea <\/em>relocates the famous Greek tragedy to the 1940s, setting it against a decadent, hyper-stylised 1940s backdrop which McVicar describes as \u201cstyled to within an inch of its life\u201d. Set designer Bunny Christie has worked extensively for the National Theatre, most notably winning Olivier Awards for her work on A Streetcar named Desire <\/em>and The White Guard<\/em> and an Evening Standard Award for Baby Doll<\/em>. Christie\u2019s opera work includes Brief Encounter <\/em>and Tosca <\/em>for Houston Grand Opera. Medea <\/em>marks Christie\u2019s debut at a British opera house.<\/p>\n

Leading the ENO Orchestra is period performance specialist Christian Curnyn. Curnyn\u2019s recent appearances at ENO include Julius Caesar <\/em>where he was praised for his \u201csuperb direction\u201d (The Times) <\/em>and Castor and Pollux<\/em> \u201c[Curnyn]\u2026relished every moment of the score\u201d (The Guardian)<\/em>.<\/p>\n

Completing the creative team is choreographer Lynne Page and lighting designer Paule Constable. Page\u2019s choreographic career includes works for stage, opera, film and television with artists as diverse as Kanye West, Stephen Sondheim and Lady Gaga. In 2010, Page won a What\u2019s on Stage award for her choreography in the West End production of La Cage aux Folles<\/em>. Multi-award winning lighting designer Paule Constable has worked with McVicar in productions of Der Rosenkavalier <\/em>and La clemenza di Tito <\/em>and won Olivier Awards in 2005, 2006 and 2009 and Tony Awards in 2007 and 2011.<\/p>\n

Connolly is joined by a stellar British cast, including Jeffrey Francis (Jason), Katherine Manley (Creuse), Roderick Williams (Orontes), Brindley Sherratt (Creon), Olivier Dunn (Arcas), Sophie Junker (Italian Woman) and ENO Harewood Artists Rhian Lois (Nerine) and Aoife O\u2019Sullivan (Cleone).<\/p>\n

Medea <\/em>opens at the London Coliseum on 15 February for 9 performances \u2013 February 15, 20, 22, 28 and March 6, 8, 12, 14 at 7.30pm and March 16 at 3.00pm<\/p>\n

Pre-performance talk, Wednesday 20 February, 5 – 5.45pm, \u00a35\/\u00a32.50 concs<\/p>\n

 <\/p>\n

12 April \u2013 20 April 2013 at the<\/em> Barbican Theatre <\/em>(7 performances)<\/p>\n

Sunken Garden <\/em><\/strong>(WORLD PREMIERE)<\/em><\/span><\/p>\n

Composed and directed by Michel van der Aa (Grawemeyer award-winner 2013 Libretto by bestselling author David Mitchell<\/p>\n

Conducted by Andr\u00e9 de Ridder<\/p>\n

ENO\u2019s WORLD PREMIERE of Sunken Garden <\/em>combines live performance with one of the first uses of 3D film in opera to tell the story of the mysterious disappearance of individuals who find themselves in a limbo world between life and death. Composed and directed by Michel van der Aa, with a libretto by bestselling author David Mitchell.<\/p>\n

 <\/p>\n

1 June \u201328 June 2013 (9 performances)<\/em><\/p>\n

The Perfect American <\/em><\/strong>(UK PREMIERE)<\/em><\/span><\/p>\n

Composed by Philip Glass\u00a0\u00a0\u00a0\u00a0\u00a0 Directed by Phelim McDermott<\/p>\n

Conducted by Gareth Jones<\/p>\n

UK PREMIERE of Philip Glass\u2019s new opera The Perfect American<\/em>, a factional story about Walt Disney during the final years of his life, directed by Phelim McDermott and starring Christopher Purves.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

David McVicar returns to English National Opera to direct a new production of Medea by Charpentier, starring Sarah Connolly in the title role. Opening Friday 15 February, 7.00pm (9 performances) Following critically-acclaimed productions of Agrippina, La clemenza di Tito and … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"_links":{"self":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/796"}],"collection":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=796"}],"version-history":[{"count":1,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/796\/revisions"}],"predecessor-version":[{"id":797,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/796\/revisions\/797"}],"wp:attachment":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=796"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=796"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=796"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}