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The penultimate concert in the series saw Tom Bell\u2019s return to Hastings. As usual he brought great enthusiasm and an engaging manner to give background to his highly varied repertoire. Apart from changes to the advertised programme we would not have been aware that Tom had recently been suffering from Covid.<\/p>\n
Opening with enormous energy Bonnet\u2019s Variations de Concert<\/em> caught the audience\u2019s attention from the start of the very arresting first chord. Tom\u2019s dexterity on both manuals and pedalboard were evident from the outset in this virtuosic work. A more recent work Paulus\u2019 A Refined Reflection (from Baronian Suite)<\/em> showed off some of the more subtle colours this organ possesses. Early twentieth century French works made up the remainder of the first half. First, two contrasting movements from Dupre\u2019s Le Tombeau de Titelouze<\/em> followed by two very different but equally emotional works of Jehan Alain. Aria<\/em> has a haunting quality which emanates from stillness. Litanies<\/em> is the polar opposite. In Tom\u2019s hands (and feet) the tension was increased with the furious and unrelenting main theme being played at breakneck speed, frenzied and insistent until the latter slow moving chordal sequence with its surprising harmonic turns. The effect of the final resolution after all this unease was electrifying. He was right when he said we would all need a glass of wine afterwards!<\/p>\n The second half brought several pieces which chime with one of this organists\u2019s particular fields of interest \u2013 the English Victorian organ and its repertoire, both original compositions and transcriptions of orchestral works championed through the tradition of the Town Hall organ. WT Best\u2019s arrangements of Meyerbeer\u2019s fiery Coronation March<\/em> and Bach\u2019s Nun komm, der Heiden Heiland<\/em> were presented along with a reflective Andante in G<\/em>. Brahms beautifully understated Schmucke dich, O liebe Seele<\/em> provided another real contrast in its sparse registration.<\/p>\n The concert began with what could be regarded as a showstopper and it ended with another. A favourite organ work of many, Franck\u2019s final Choral No 3 in A minor<\/em> again combines fast moving extrovert passages with moments of intense introspection. The Andante never fails to move me with its plaintive solo line against gently moving and sometimes unexpected chromatic harmony. This is then left behind in the final few bars as the piece reaches its climax with another series of harmonic tension before the ultimate release. This was another powerful and very sensitive interpretation.<\/p>\n Tom was coaxed back for a beautifully subdued chorale prelude by Jacques van Oortmerssen to send us on our way after an evening of thrilling and at times highly emotional music. We hope to see and hear him back again soon.<\/p>\n Details of the final concert can be found at<\/p>\n www.oldtownparishhastings.org.uk<\/a><\/p>\n Stephen Page<\/p>\n","protected":false},"excerpt":{"rendered":" The penultimate concert in the series saw Tom Bell\u2019s return to Hastings. As usual he brought great enthusiasm and an engaging manner to give background to his highly varied repertoire. Apart from changes to the advertised programme we would not … Continue reading