I WILL BUILD YOU A HOUSE
\nANDREAS IHLEBAEK, piano
\nNXN 1004 50\u2019 approx<\/p>\n
An enjoyably relaxing sequence of melodic, expansive piano music from this contemporary Norwegian pianist\/composer. Grouped into 3 sections, Come Summer, Preludes to Storm and Let me be Good, the music is at times gently hypnotic, with hints of Satie and contemporary film soundtracks. There is a lovely purity to this music. An interesting biographical note gives a hint at how these composition\/performance pieces have helped him and others, especially as much of the music came about during the Covid pandemic.<\/p>\n
OTTORINO RESPIGHI \u2013 WORKS FOR FLUTE & ORCHESTRA
\nROBERTO FABBRICIANI, flute
\nORCHESTRA SINFONICA ABRUZZESE, NICOLA PASZKOWSKI, conductor
\nTACTUS TC 871805 50\u201948<\/p>\n
This collection of late romantic works includes two premiere recordings. The CD is bookended with two Suites with the two-movement Melodia & Valse Caressante and Serenata in between. Developments in his compositional style can be seen in the chronological progression from the earlier works here (early 20th Century) up to the final suite Gli Ucelli. As well as various influences from his native Italy, including baroque stylings, Gregorian chant and polyphony he was influenced by Russia and other European cultures.<\/p>\n
MAX BRUCH PIANO WORKS
\nCHRISTOF KEYMER, piano
\nCPO 555 258-2 66\u201943<\/p>\n
This collection of short descriptive pieces mostly arranged into themed collections shows a different side to the composer associated mostly with larger works for solo strings and orchestra. Bruch was an excellent pianist but did not regard his piano writing as particularly significant. He was drawn to folk melodies of many different sources. Two sets of Swedish Dances make up a sizeable portion of this CD. They can be seen in the same light as other national dances by Brahms and Dvorak. An interesting collection with amterial that will be unfamiliar to many.<\/p>\n
RACHMANINOV \u2013 PIANO SONATA NO 2, PRELUDES OP 23 NOS 4-6, MOMENTS MUSICAUX
\nSONYA BACH, piano
\nRUBICON RCD1058 68\u201918<\/p>\n
This is a lovely disc of Rachmaninov\u2019s music. With sensitive and passionate performances throughout Sonya Bach is obviously very at home with this repertoire. Recommended!<\/p>\n
EDUARD FRANCK \u2013 PIANO CONCERTOS 1 & 2
\nGEORG MICHAEL GRAU, piano
\nWURTTEMBERGISCHE PHILHARMONIE REUTLINGEN
\nFAWZI HAIMOR, conductor
\nCPO 555 320-2 74\u201957<\/p>\n
These two piano concertos, in D minor and C major, date from the middle and latter half of the 19th Century. These romantic pieces were in part influenced by associations with Mendelssohn, Schumann and Sterndale Bennett. These performances give a very good introduction to the works of this particular Franck, if, like me you were unfamiliar with him and is enjoyable in its own right.<\/p>\n
NORDIC RHAPSODY
\nJOHAN DALENE, violin
\nCHRISTIAN IHLE HADLAND, piano
\nBIS-2560<\/p>\n
Produced in conjunction with Radio 3\u2019s New Generation Artists scheme this is a lovely programme of music highlighting composers from the region. Although many of the composers are well known the music is not necessarily familiar. Music includes Nielsen\u2019s Romance in D major, Grieg\u2019s Violin Sonata No 1 in F major, as well as pieces by Sinding, Stenhammar, Sibelius and Rautavaara\u2019s Notturno e danza.<\/p>\n
SCOTT WOLLSCHLEGER – DARK DAYS
\nKARL LARSON, piano
\nNEW FOCUS RECORDINGS FCR287 \u201950 approx<\/p>\n
This is a very rewarding disc of short contemporary pieces which play with colour, rhythm and harmony. Written between 2007 and 2020 this collection shows how the composer combines these elements together with the properties of the piano alongside his personal experience of synaesthesia. The music is expansive, often repetitive but with slight shifts and variations. The long term collaboration of composer and performer also adds to the overall effectiveness. I hope to hear more.<\/p>\n
ROBERT GROSLOT \u2013 THE INTIMACY OF DISTANCE
\nCHARLOTTE WAJNBERG, soprano
\nBRUSSELS PHILHARMONIC, ROBERT GROSLOT, conductor
\nNAXOS 8.579100 55\u201945<\/p>\n
Described as a \u201cconcerto for soprano and orchestra\u201d The Intimacy of Distance sets a recent text concerned with life and distance. Alongside this are My Green Shade Forest and Trittico incantevole. The CD consists entirely of music written within the last six years and premiere recordings. A welcome addition to the catalogue of contemporary music.<\/p>\n
WIDOR \u2013 ORGAN SYMPHONIES 5
\nCHRISTIAN VON BLOHN, organ of St Josef\u2019s Church, Sankt Ingbert, Germany
\nNAXOS 8.574279 76\u201926<\/p>\n
The Naxos survey of Widor\u2019s organ works continues with volume 5 of the Organ Symphonies, the 3rd volume in the series recorded by organist Christian von Blohn. Interesting booklet notes highlight the fact that these works exist in different versions, necessitating decision making as to which version to record. This is again referenced by the inclusion between Symphony No 5 in F minor (which includes the famous Toccata) and Symphony No 6 in G minor of movement 4 of Symphony No 8 in B major, which was included in the 1887 edition but omitted later in 1901. Fine performances of substantial music.<\/p>\n
JOHANN SIMON MAYR \u2013 MESSA DI GLORIA IN E MINOR & F MINOR
\nSIMON MAYR CHORUS
\nCONCERTO DE BASSUS, FRANZ HAUK, conductor
\nNAXOS 8.574203 80\u201909<\/p>\n
World premiere recordings here of two different approaches to setting the mass. The first, lasting nearly an hour is on a much grander scale to the second which comes in at just over twenty minutes. The first incorporates intricate musical devices and showcases the development of Mayr\u2019s (1763-1845) later writing. The pairing gives an opportunity to compare a single composer\u2019s response with vastly differing outcomes from the same starting point. This music was once to be heard across Europe as a development of the traditional Italian school of composition. I am sure this CD will re-introduce his name to many.<\/p>\n
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I WILL BUILD YOU A HOUSE ANDREAS IHLEBAEK, piano NXN 1004 50\u2019 approx An enjoyably relaxing sequence of melodic, expansive piano music from this contemporary Norwegian pianist\/composer. Grouped into 3 sections, Come Summer, Preludes to Storm and Let me be … Continue reading