{"id":6321,"date":"2021-04-08T20:21:46","date_gmt":"2021-04-08T19:21:46","guid":{"rendered":"http:\/\/www.larkreviews.co.uk\/?p=6321"},"modified":"2021-04-09T06:54:05","modified_gmt":"2021-04-09T05:54:05","slug":"cds-april-2021","status":"publish","type":"post","link":"https:\/\/www.larkreviews.wickedlemon.co.uk\/?p=6321","title":{"rendered":"CDs April 2021 (1)"},"content":{"rendered":"
BYRD 1588: PSALMS, SONNETS & SONGS OF SADNESS & PIETIE<\/strong><\/span>
\n GRACE DAVIDSON, soprano, MARTHA McLORINAN, mezzo-soprano,<\/strong><\/span>
\n NICHOLAS TODD, tenor<\/strong><\/span>
\n ALAMIRE \u2013 FRETWORK \u2013 DAVID SKINNER<\/strong><\/span>
\n INVENTA RESONUS INV1006 78\u201920 (2 CDs)<\/strong><\/span><\/h6>\n

This recording presents this 1588 publication from Byrd in its entirety over two discs. As such it is a fascinating insight into the variety of music collected together in one published volume. There is music for funerals and with other sacred themes as well as lighter secular songs expressing a range of emotions. Much care has gone into this production.<\/p>\n

MUSIC FOR THE KING OF SCOTS\u00a0<\/span><\/strong><\/h6>\n
INSIDE THE PLEASURE PALACE OF JAMES IV<\/span><\/strong>
\n THE BINCHOIS CONSORT<\/span><\/strong>
\n ANDREW KIRKMAN, conductor<\/span><\/strong>
\n HYPERION CDA68333 55\u201920<\/span><\/strong><\/h6>\n

Judging from the subtitle to this CD I was expecting a lighthearted entertaining programme. This is a fine recording but it is not a lighthearted listen. The title refers to James IV\u2019s residence, Lingithlow Palace, and the music is devotional, as may have been heard in the chapel there. On this occasion, as the chapel is now ruined, the decision was made to attempt to reconstruct the acoustic properties of the building. This process was part of a project funded by the Arts & Humantities Research Council, \u201cSpace, Place, Sound & Memory: Immersive experiences of the past\u201d. By scans, 3D modelling and recording in an anechoic chamber this is as authentic as historic reconstruction gets. The main work is Missa Horrendo subdena rotarum machinamento (\u2018Catherine Wheel Mass\u2019)<\/em> Alongside this is a Magnificat from the Carver choirbook and three shorter pieces including the chant from which the mass takes its name. Fascinating.<\/p>\n

A CLAUDE<\/span><\/strong>
\n BENEDETTO BOCCUZZI, piano<\/span><\/strong>
\n DIGRESSIONE MUSIC DCTT111 75\u201975<\/span><\/strong><\/h6>\n

This CD weaves together music by Debussy, Crumb, Messiaen Takemitsu, and Diana Rotaru together with a short piece and arrangements of Debussy by the performer. There are clear links between many of the works and together they make for a very entertaining, original programme. There is much to discover here.<\/p>\n

JOHANN WILHELM HERTEL \u2013 CELLO & ORGAN CONCERTOS<\/strong><\/span>
\n BETTINA MESSERSCHMIDT, cello<\/strong><\/span>
\n MERSEBURGER HOFMUSIK<\/strong><\/span>
\n MICHAEL SCHONHEIT, organ & director<\/strong><\/span>
\n CPO 555 203-2 63\u201935<\/strong><\/span><\/h6>\n

Hertel was a prolific 18th century German composer and like other contemporaries of his was born into a family of composers. He was an accomplished performer on the violin and harpsichord. He became a court composer and wrote much sacred music as well as instrumental works such as those featured here. The CD comprises 2 Sinfonias<\/em>, 2 Cello<\/em> Sonatas<\/em> and an Organ Sonata<\/em>.<\/p>\n

THE ORGAN TRADITION OF APULIA-NAPLES <\/span><\/strong><\/h6>\n
FROM RENAISSANCE TO BAROQUE<\/span><\/strong>
\n MARGHERITA SCIDDURLO, organ<\/span><\/strong>
\n Chiesa di Saint\u2019 Antonio, Santa Maria del Passo, Mola di Bari (1747)<\/span><\/strong>
\n TACTUS TC670004 52\u201937<\/span><\/strong><\/h6>\n

Don\u2019t be put off by the title! This recording may be a little \u2018niche\u2019 but it is exciting and well produced. Spanning the 16th to 18th centuries the music included here is often virtuosic and is brought to life brilliantly on this historic and appropriate instrument. Several pieces have not been previously recorded and I would suggest that, despite its age, to many listeners much of this music will be new.<\/p>\n

SP<\/span><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

BYRD 1588: PSALMS, SONNETS & SONGS OF SADNESS & PIETIE GRACE DAVIDSON, soprano, MARTHA McLORINAN, mezzo-soprano, NICHOLAS TODD, tenor ALAMIRE \u2013 FRETWORK \u2013 DAVID SKINNER INVENTA RESONUS INV1006 78\u201920 (2 CDs) This recording presents this 1588 publication from Byrd in … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"_links":{"self":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/6321"}],"collection":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6321"}],"version-history":[{"count":6,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/6321\/revisions"}],"predecessor-version":[{"id":6332,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/6321\/revisions\/6332"}],"wp:attachment":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6321"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6321"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6321"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}