{"id":5898,"date":"2020-03-02T09:34:06","date_gmt":"2020-03-02T09:34:06","guid":{"rendered":"http:\/\/www.larkreviews.co.uk\/?p=5898"},"modified":"2020-03-02T09:37:15","modified_gmt":"2020-03-02T09:37:15","slug":"peter-copley-salamanca-1936","status":"publish","type":"post","link":"https:\/\/www.larkreviews.wickedlemon.co.uk\/?p=5898","title":{"rendered":"Peter Copley: Salamanca 1936"},"content":{"rendered":"<p><span style=\"color: #000080;\"><strong>St Bartholomew\u2019s Church, Brighton, Sunday 1 March 2020<\/strong><\/span><\/p>\n<p>Peter Copley\u2019s <em>Salamanca 1936<\/em> has had a considerable gestation period and its emergence into the light at the weekend for its world premiere was very much due to the enthusiastic endorsement of Sir John Tomlinson, for whom it was written.<\/p>\n<p><a href=\"https:\/\/www.larkreviews.wickedlemon.co.uk\/wp-content\/uploads\/2020\/03\/J-Tomlinson.png\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-5900\" src=\"https:\/\/www.larkreviews.wickedlemon.co.uk\/wp-content\/uploads\/2020\/03\/J-Tomlinson.png\" alt=\"\" width=\"300\" height=\"168\" \/><\/a><\/p>\n<p>The Oratorio is constructed for large forces and drew on the strengths of Brighton Youth Orchestra and a junior chorus from Trinity Laban Conservatoire under the direction of Andrew Sherwood. The text focusses on an incident during the Spanish Civil War when Miguel de Unamuno, at the time Rector of the University of Salamanca, stood up against the fascist General Millan Astray. The text tries to stay as objective as possible but the score brings to life the conflicting emotions of the philosopher even as he is trying to keep his feelings under control. John Tomlinson\u2019s superb diction brings out the internal struggle for Unamuno in a series of extended arioso passages which both reflect on the action and move the narrative forward. The chorus are essentially little more than background noise in the poet\u2019s memory until we came to the final section which proves to be both beautiful and deeply moving.<\/p>\n<p><a href=\"https:\/\/www.larkreviews.wickedlemon.co.uk\/wp-content\/uploads\/2020\/03\/P-Copley.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-5903\" src=\"https:\/\/www.larkreviews.wickedlemon.co.uk\/wp-content\/uploads\/2020\/03\/P-Copley.jpg\" alt=\"\" width=\"189\" height=\"267\" \/><\/a><\/p>\n<p>Unamuno is under house arrest and writes <em>La Nevada es silenciosa<\/em> \u2013 the snowfall is so silent. This is set in English for chorus and suddenly we are inside the emotional and intellectual life of the poet. It works surprisingly well and brings us into the heart of the dilemma. How does an intellectual stand up to ignorance and abuse \u2013 a problem which is universal and here given its universal context. Let us hope that the score is heard again soon as it has immediate relevance as well as being musically engaging in its own right.<\/p>\n<p>In the first half we had heard Handel\u2019s <em>Zadok the Priest<\/em> which all but disappeared within the cavernous acoustic of St Bartholomew\u2019s, but John Tavener\u2019s <em>Ekstasis<\/em> was more successful. The work was written for Brighton Youth Orchestra in 2000 and explores the mystery of the Trinity through three solo instruments above the gently undulating orchestra. Violinist Ayla Sahin was placed by the altar, trumpeter Tsz Cheung on the west gallery and oboe player Emma Sims in the pulpit. Tavener weaves the musical line between them without any sense of obvious interplay or overlap, yet always a deep sense of harmony and unity. It made a fitting companion piece to Peter Copley\u2019s oratorio.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>St Bartholomew\u2019s Church, Brighton, Sunday 1 March 2020 Peter Copley\u2019s Salamanca 1936 has had a considerable gestation period and its emergence into the light at the weekend for its world premiere was very much due to the enthusiastic endorsement of &hellip; <a href=\"https:\/\/www.larkreviews.wickedlemon.co.uk\/?p=5898\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"_links":{"self":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/5898"}],"collection":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5898"}],"version-history":[{"count":4,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/5898\/revisions"}],"predecessor-version":[{"id":5904,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/5898\/revisions\/5904"}],"wp:attachment":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5898"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5898"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5898"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}