{"id":5823,"date":"2020-02-02T12:41:35","date_gmt":"2020-02-02T12:41:35","guid":{"rendered":"http:\/\/www.larkreviews.co.uk\/?p=5823"},"modified":"2020-02-02T12:42:46","modified_gmt":"2020-02-02T12:42:46","slug":"maidstone-symphony-orchestra-30","status":"publish","type":"post","link":"https:\/\/www.larkreviews.wickedlemon.co.uk\/?p=5823","title":{"rendered":"Maidstone Symphony Orchestra"},"content":{"rendered":"<p><span style=\"color: #000080;\"><strong>Mote Hall, Maidstone, 1 February 2020<\/strong><\/span><\/p>\n<p>There are few more atmospheric pieces than Britten\u2019s <em>Four Sea Interludes<\/em> from <em>Peter Grimes.<\/em> It only needs a bar or two of those ethereal pianissimo high strings and you\u2019re standing on the remote Suffolk coast gazing out to sea. MSO had imported lots of extra players for this ambitious piece (and the Elgar with which the concert ended) so we had double brass, four percussionists and eight double basses \u2013 all contributing to the colourful descriptiveness which Brian Wright drew out of the orchestra.<\/p>\n<p>Then we skipped 150 years back to the classical world of Weber and reduced forces to accompany Emma Johnson in the second Clarinet Concerto. Always a charismatic player, she twinkled with delight as she played, turning the concerto into an engaging musical conversation, especially in the first movement. She also gave us a nicely controlled <em>andante<\/em> and enjoyably sparky syncopation in the third movement.<\/p>\n<p><a href=\"https:\/\/www.larkreviews.wickedlemon.co.uk\/wp-content\/uploads\/2020\/02\/E-Johnson.png\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-5825\" src=\"https:\/\/www.larkreviews.wickedlemon.co.uk\/wp-content\/uploads\/2020\/02\/E-Johnson.png\" alt=\"\" width=\"201\" height=\"251\" \/><\/a><\/p>\n<p>Unusual programming meant she was again the soloist in another concerto after the interval. Malcolm Arnold\u2019s second Clarinet Concerto is not very well known and, although she played it with panache, it\u2019s obvious why we don\u2019t hear it more often. It\u2019s an incongruous mixture of disparate elements including a long improvised cadenza, a soulful central <em>lento<\/em> and then \u201cThe pre-Goodman Rag\u201d. Even Johnson\u2019s fine playing and Brian Wright\u2019s skilful direction failed to endow it with any sense of cohesion.<\/p>\n<p>And so, finally, to <em>Enigma Variations<\/em> in which all those mood changes and potential pitfalls were adeptly negotiated with the wit of Variation 3 and Variation 11 nicely brought out. It was also a treat to hear Elgar\u2019s imaginative orchestration so clearly stressed: the tuba in Variation 7, the piccolo in Variation 8 and the viola and bassoon solos in Variation 10, for example. And I admired the tempi in Variation 9 (Nimrod). There often is a tendency to play it so slowly that it feels as if it\u2019s dragging. Wright resisted that by keeping it moving which worked well.<\/p>\n<p>In short, another good night for MSO.<\/p>\n<p>Susan Elkin<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mote Hall, Maidstone, 1 February 2020 There are few more atmospheric pieces than Britten\u2019s Four Sea Interludes from Peter Grimes. It only needs a bar or two of those ethereal pianissimo high strings and you\u2019re standing on the remote Suffolk &hellip; <a href=\"https:\/\/www.larkreviews.wickedlemon.co.uk\/?p=5823\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"_links":{"self":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/5823"}],"collection":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5823"}],"version-history":[{"count":2,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/5823\/revisions"}],"predecessor-version":[{"id":5826,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/5823\/revisions\/5826"}],"wp:attachment":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5823"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5823"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5823"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}