{"id":5791,"date":"2020-01-08T09:15:13","date_gmt":"2020-01-08T09:15:13","guid":{"rendered":"http:\/\/www.larkreviews.co.uk\/?p=5791"},"modified":"2020-01-08T09:16:33","modified_gmt":"2020-01-08T09:16:33","slug":"eno-carmen-2","status":"publish","type":"post","link":"https:\/\/www.larkreviews.wickedlemon.co.uk\/?p=5791","title":{"rendered":"ENO: Carmen"},"content":{"rendered":"
Georges Bizet (1838-1875)<\/strong><\/span><\/h6>\n
Libretto by Henri Meilhac and Ludovic Hal\u00e9vy after Prosper M\u00e9rim\u00e9e<\/strong><\/span><\/h6>\n
Director, Calixto Bieito<\/strong><\/span><\/h6>\n
Revival Director, Jamie Manton<\/strong><\/span><\/h6>\n
Conductor, Valentina Peleggi<\/strong><\/span><\/h6>\n

Calixto Bieito\u2019s acclaimed Carmen<\/em> returns to English National Opera<\/strong><\/p>\n

Opens Wednesday 29 January at 7.30pm<\/em> (10 performances)<\/em><\/p>\n

Calixto Bieito\u2019s critically praised production of Carmen<\/em> returns to the London Coliseum this January.<\/p>\n

\"\"<\/a><\/p>\n

A tale of love, obsession and jealousy, soldier Don Jos\u00e9 finds himself unable to resist cigarette worker Carmen\u2019s charm, even when he is supposed to be guarding her prison cell. The tumultuous affair that begins between the pair comes to an abrupt halt when Carmen turns her attention to bullfighter Escamillo. Don Jos\u00e9\u2019s love for the femme fatale soon turns to jealousy and violence.<\/p>\n

Appraised as \u2019a cogent, gripping piece of work\u2019 (the Guardian), Calixto Bieito\u2019s production transports the story from eighteenth century Seville to the dying days of Franco\u2019s Spain.<\/p>\n

Calixto Bieito remains one of the most sought after opera and theatre directors of his generation and is particularly well known for his radical reinterpretations of classic operas and plays. He has previously directed ENO productions of Don Giovanni<\/em> (2001), A Masked Ball<\/em> (2002), Fidelio<\/em> (2013), and The Force of Destiny<\/em> (2015). His production of Carmen<\/em> was first staged at ENO in 2012.<\/p>\n

One of the most popular operas ever written, Bizet\u2019s Spanish-inflected score bursts with recognisable melodies like Carmen\u2019s seductive \u2018Habanera\u2019 and Escamillo\u2019s rousing \u2018Toreador Song\u2019. With music inspired by folksongs and Flamenco music, its original premier in 1875 received a lukewarm reception and Bizet died only a few months later, never seeing the success his work would garner.<\/p>\n

Justina Gringyt\u00e9 reprises her role as the strong and spirited Carmen. In the role that has become her speciality, the Lithuanian mezzo-soprano \u2018commands the stage\u2019 (Evening Standard) in this production. Justina was a Royal Opera House Jette Parker Young Artist from 2011-13, and made her ENO debut as an \u2018exceptionally fine\u2019 (The Independent<\/em>) Maddalena in Christopher Alden\u2019s Rigoletto <\/em>(2014).<\/p>\n

ENO Mackerras Fellow and Guest Music Director of the Teatro S\u00e3o Pedro, Valentina Peleggi conducts. The ENO Mackerras Conducting Fellowship offers the opportunity for exceptional emerging conductors to develop their skills through a two year programme of mentoring. So far at ENO, Valentina has conducted Dido<\/em> (18\/19) and assisted on La boh\u00e8me<\/em> (18\/19), Akhnaten<\/em> (18\/19) and Orpheus in the Underworld <\/em>(19\/20), conducting several performances of La boh\u00e8me <\/em>and Orpheus in the Underworld.<\/em><\/p>\n

The role of Don Jos\u00e9 is sung by Sean Panikkar. An American tenor with Sri Lankan heritage, this is Sean\u2019s ENO debut. In his first of two roles at ENO this season, opera-lover favourite and Olivier Award nominee, David Butt Philip will sing the role of Don Jos\u00e9 for the final two performances.<\/p>\n

Exciting British singer Nardus Williams makes her role and house debut as Mica\u00ebla. Praised for her \u2018superbly controlled, sensuous soprano\u2019 (Opera Today<\/em>),<\/em> she is a current ENO Harewood Artist. Nardus was a member of Houston Opera Studio from 2018-2019 and a former Jerwood Young Artist at Glyndebourne. ENO audiences will also see her sing the Countess on the 18 April in Joe Hill-Gibbins’s new production of The Marriage of Figaro<\/em>.<\/p>\n

British baritone Ashley Riches returns to the London Coliseum to sing bullfighter Escamillo. Ashley previously sang the Count in The Marriage of Figaro <\/em>(2018), and the Pirate King in The Pirates of Penzance<\/em> (2017).<\/p>\n

Keel Watson sings Zuniga, whilst Ellie Laugharne is Frasquita. The remaining roles are sung by ENO Harewood Artists; John Findon, Matthew Durkan and Samantha Price are Remendado, Dancairo and Merc\u00e9d\u00e8s respectively. Harwood Artist Alex Otterburn completes this talented cast as Moral\u00e8s.<\/p>\n

Regular ENO staff director Jamie Manton is the revival director. Jamie previously directed ENO Studio Live\u2019s Olivier-nominated production of Paul Bunyan<\/em> (2018 and 2019). Alfons Flores is the set designer whilst long-time Calixto collaborator Merc\u00e8 Paloma is the costume designer. Bruno Poet is the lighting designer and the libretto has been translated by Christopher Cowell.<\/p>\n

Co-production with Den Norske Opera and Ballet.<\/p>\n

Carmen <\/em>opens Wednesday 29 January 2020 at 19.30 at the London Coliseum for 10 performances: 29 January & 1, 6, 11, 14, 20, 25, 27 February at 19.30. 22 February at 18.15. 8 February at 14.00.<\/p>\n

Tickets start from \u00a310 (plus booking fee)*<\/p>\n","protected":false},"excerpt":{"rendered":"

Georges Bizet (1838-1875) Libretto by Henri Meilhac and Ludovic Hal\u00e9vy after Prosper M\u00e9rim\u00e9e Director, Calixto Bieito Revival Director, Jamie Manton Conductor, Valentina Peleggi Calixto Bieito\u2019s acclaimed Carmen returns to English National Opera Opens Wednesday 29 January at 7.30pm (10 performances) … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"_links":{"self":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/5791"}],"collection":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5791"}],"version-history":[{"count":3,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/5791\/revisions"}],"predecessor-version":[{"id":5795,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/5791\/revisions\/5795"}],"wp:attachment":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5791"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5791"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5791"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}