{"id":5520,"date":"2019-09-20T09:39:13","date_gmt":"2019-09-20T08:39:13","guid":{"rendered":"http:\/\/www.larkreviews.co.uk\/?p=5520"},"modified":"2019-09-20T09:41:32","modified_gmt":"2019-09-20T08:41:32","slug":"matthew-bournes-romeo-and-juliet","status":"publish","type":"post","link":"https:\/\/www.larkreviews.wickedlemon.co.uk\/?p=5520","title":{"rendered":"Matthew Bourne\u2019s Romeo and Juliet"},"content":{"rendered":"<p><span style=\"color: #ff0000;\"><strong>Marlowe Theatre Canterbury<\/strong><\/span><\/p>\n<p>Well this is Matthew Bourne so you arrive expecting nothing remotely conventional or \u201ctraditional\u201d (whatever that means) and you\u2019re right. This riveting show is a ravishing dance piece with the plot of <em>Romeo and Juliet<\/em> so radically and freely reworked that I doubt Shakespeare himself would recognise it. And it matters not a jot. It\u2019s fresh, original and utterly compelling.<\/p>\n<p><a href=\"https:\/\/www.larkreviews.wickedlemon.co.uk\/wp-content\/uploads\/2019\/09\/RJ-9-19.png\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-5522\" src=\"https:\/\/www.larkreviews.wickedlemon.co.uk\/wp-content\/uploads\/2019\/09\/RJ-9-19.png\" alt=\"\" width=\"300\" height=\"168\" \/><\/a><\/p>\n<p>We\u2019re in the Verona Institute in the near future \u2013 some sort of care facility for people with mental health problems maybe but more like a prison with officers, bars, keys and locks. Residents (inmates?) are dressed in simple white clothes and of course there isn\u2019t an en pointe shoe or a pair of tights in sight. There are no pointless leaps just because one\/some of the male dancers can do spectacular ones either. Instead we get a great deal of muscular ensemble dancing either bare foot or in plimsoll-like footwear. I have no idea how Bourne thinks of these visually vibrant, but often quite simple choral\/corps de ballet movements (such as shifting forwards in relentless rhythm) and makes them feel completely fresh.<\/p>\n<p>The other hero of this show is Prokofiev\u2019s score \u2013 unusually for Bourne it\u2019s played live in the pit with passion and panache by a nineteen piece band conducted from piano and harmonium by Dan Jackson. It\u2019s extraordinary music. Every single note packs a powerful narrative and Bourne matches it with action so perfectly that within two minutes of curtain up you\u2019ve forgotten that this ballet has ever been done in any other way. It will be a long time before I forget the death of Tybalt (a thuggish guard: Dan Wright) presented here as an act of group throttling, the strap tightened with each of Prokofiev\u2019s dramatic fortissimo minor chords. It\u2019s drama at its spikiest.<\/p>\n<p>Of course every dancer in this company is good. They wouldn\u2019t have been cast in this production if they weren\u2019t. Paris Fitzpatrick and Cordelia Braithwaite as the titular pair of star crossed lovers earn a special mention however. As individuals, often troubled, anxious or cross, they present believable characters, As a pair, in what is effectively their marriage consummation pas-de-deux, they roll over each other and use a series of very ingenious wrap round movements which fit the music perfectly. It\u2019s a skilfully enacted symbolic representation of their physical union and I found it deeply moving.<\/p>\n<p>Susan Elkin<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Marlowe Theatre Canterbury Well this is Matthew Bourne so you arrive expecting nothing remotely conventional or \u201ctraditional\u201d (whatever that means) and you\u2019re right. This riveting show is a ravishing dance piece with the plot of Romeo and Juliet so radically &hellip; <a href=\"https:\/\/www.larkreviews.wickedlemon.co.uk\/?p=5520\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"_links":{"self":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/5520"}],"collection":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5520"}],"version-history":[{"count":3,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/5520\/revisions"}],"predecessor-version":[{"id":5524,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/5520\/revisions\/5524"}],"wp:attachment":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5520"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5520"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5520"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}