{"id":5007,"date":"2019-03-10T14:37:37","date_gmt":"2019-03-10T14:37:37","guid":{"rendered":"http:\/\/www.larkreviews.co.uk\/?p=5007"},"modified":"2019-03-10T14:38:31","modified_gmt":"2019-03-10T14:38:31","slug":"brighton-philharmonic-orchestra-47","status":"publish","type":"post","link":"https:\/\/www.larkreviews.wickedlemon.co.uk\/?p=5007","title":{"rendered":"Brighton Philharmonic Orchestra"},"content":{"rendered":"<h6><span style=\"color: #000080;\"><strong>Brighton Philharmonic Orchestra, Sunday 17 March, 2.45pm, Brighton Dome Concert Hall <\/strong><\/span><\/h6>\n<h6><span style=\"color: #000080;\"><strong>Barry Wordsworth \u2013 Conductor<\/strong><\/span><\/h6>\n<h6><span style=\"color: #000080;\"><strong>Steven Osborne \u2013 Piano<\/strong><\/span><\/h6>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.larkreviews.wickedlemon.co.uk\/wp-content\/uploads\/2019\/03\/BPO-17-3-19.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-5009\" src=\"https:\/\/www.larkreviews.wickedlemon.co.uk\/wp-content\/uploads\/2019\/03\/BPO-17-3-19.jpg\" alt=\"\" width=\"624\" height=\"275\" srcset=\"https:\/\/www.larkreviews.wickedlemon.co.uk\/wp-content\/uploads\/2019\/03\/BPO-17-3-19.jpg 624w, https:\/\/www.larkreviews.wickedlemon.co.uk\/wp-content\/uploads\/2019\/03\/BPO-17-3-19-300x132.jpg 300w, https:\/\/www.larkreviews.wickedlemon.co.uk\/wp-content\/uploads\/2019\/03\/BPO-17-3-19-500x220.jpg 500w\" sizes=\"(max-width: 624px) 100vw, 624px\" \/><\/a><\/p>\n<p>For the last concert of this our 94<sup>th<\/sup> season the Brighton Philharmonic Orchestra, with Barry Wordsworth conducting, are performing a brilliant late Romantic piano concerto and a masterly symphony that tells a story in music. To start the afternoon off we are playing an overture that gives the game away in its title &#8211; <em>Joyeuse Marche<\/em>.<\/p>\n<p>For Rachmaninov\u2019s <em>3<sup>rd<\/sup> Piano Concerto<\/em> we welcome back the Scottish pianist Steven Osborne who, on the 9<sup>th<\/sup> April 1989, won the inaugural Brighton Piano Competition. Steven has since played with Barry and the Brighton Phil a further four times and is now one of the country\u2019s most influential and brilliant pianists \u2013 equally at home in the recording studio and on the concert platform. Steven has recorded a CD of Rachmaninov\u2019s music (<em>\u00c9tudes-Tableaux Op. 33 <\/em>and<em> Op. 39<\/em>) which was released by Hyperion last July \u2013 CDA68188.<\/p>\n<p>Born in 1873 Rachmaninov completed this piano concerto in 1909 whilst living in Dresden. The concerto quickly became both loved and feared in equal measure amongst pianists, and has now gained the reputation of being one of the most technically challenging piano concertos in the standard repertoire. It also cemented Rachmaninov\u2019s reputation as one of the finest of the late Romantic composers.<\/p>\n<p>The concerto\u2019s first performance was in New York with Rachmaninov as soloist; he had practiced it on a silent keyboard as he travelled by boat from Europe to America. The second performance, a few months later in 1910, was with Gustav Mahler conducting &#8211; an experience that Rachmaninov treasured greatly.<\/p>\n<p>Hector Berlioz\u2019s <em>Symphonie Fantastique<\/em> or to give it its full title, <em>An episode in the life of an artist in five parts,<\/em> was written in 1830 and its first performance was later that year in Paris.<\/p>\n<p>The symphony is vaguely autobiographical and the first movement <em>R\u00eaverie<\/em> is the artist falling desperately in love, which in turn creates all forms of passions, aimless joy, fury, jealousy and complete tenderness. For the second movement <em>Un bal<\/em> the artist is in the tumult of a festive party, contemplating the joy of nature everywhere, in the fields and in the town \u2013 but at all times he is troubled by the haunting image of his love. In <em>Sc\u00e9ne aux champs<\/em>, the third movement, the artist hears two shepherds calling in the distance and with the rustle of trees his heart is momentarily healed, but then the brooding melancholy of loneliness and betrayal causes dark premonitions. At the end the shepherd calls again, but the other one does not answer, adding to the artists despair. In the fourth movement <em>Marche au Supplice<\/em> the artist is convinced he is betrayed \u2013 he tries to poison himself but only falls into a deep sleep, where he dreams he has killed his beloved and sees himself being taken to the scaffold to witness his own execution. The last movement is <em>Songe d\u2019une nuit du sabbat<\/em> \u2013 the artist sees himself at his own funeral in the midst of witches, sorcerers and monsters. He sees his love entering the party and the grotesque scene unfolds as the funeral bell tolls and we end with the dance of the witches combined with the <em>Dies irae<\/em>.<\/p>\n<p>We open this, our last concert of the season, with a very popular overture by the French composer Emmanuel Chabrier, who wrote his <em>Joyeuse<\/em> <em>Marche<\/em> initially as a piano piece, orchestrating it later in 1888. It was premiered in Paris in 1889 with the composer conducting and was enthusiastically received, remaining a concert favourite ever since.<\/p>\n<p><strong>Our concert is dedicated to the memory of<\/strong> <strong>DV Newbold, CBE, a staunch and generous supporter and sponsor of the orchestra for many\u00a0years who passed away last\u00a0March at the age of 91.<\/strong><\/p>\n<p>Tickets from \u00a312.50-\u00a339.50 (50% student\/Under 18 discount, children just \u00a31) available from Brighton Dome Ticket Office, (01273) 709709, <a href=\"http:\/\/www.brightondome.org\">www.brightondome.org<\/a><\/p>\n<p><strong><em>Discounted parking available in NCP Church Street Car Park \u2013 just \u00a36 between 1pm and 6pm. Simply park as normal and collect a follow-on ticket at the concert to receive the discounted rate.<\/em><\/strong><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Brighton Philharmonic Orchestra, Sunday 17 March, 2.45pm, Brighton Dome Concert Hall Barry Wordsworth \u2013 Conductor Steven Osborne \u2013 Piano &nbsp; For the last concert of this our 94th season the Brighton Philharmonic Orchestra, with Barry Wordsworth conducting, are performing a &hellip; <a href=\"https:\/\/www.larkreviews.wickedlemon.co.uk\/?p=5007\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,7],"tags":[],"_links":{"self":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/5007"}],"collection":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5007"}],"version-history":[{"count":2,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/5007\/revisions"}],"predecessor-version":[{"id":5010,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/5007\/revisions\/5010"}],"wp:attachment":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5007"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5007"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5007"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}