{"id":3862,"date":"2017-10-21T11:12:17","date_gmt":"2017-10-21T10:12:17","guid":{"rendered":"http:\/\/www.larkreviews.co.uk\/?p=3862"},"modified":"2017-10-21T11:12:17","modified_gmt":"2017-10-21T10:12:17","slug":"wno-die-fledermaus","status":"publish","type":"post","link":"https:\/\/www.larkreviews.wickedlemon.co.uk\/?p=3862","title":{"rendered":"WNO: Die Fledermaus"},"content":{"rendered":"<h6><strong><span style=\"color: #000080;\">Mayflower Theatre, Southampton, 19 October 2017<\/span><\/strong><\/h6>\n<p>John Copley\u2019s production of <em>Die Fledermaus<\/em> moves the time scale forward, but not by very much. The designs are gracefully <em>art deco<\/em> but the costumes retain the opulence \u2013 and perhaps the decadence \u2013 of the late nineteenth century. No attempt is made to up-date the work or give it any spurious relevance. As such it is a triumph, allowing the score to radiate its charm throughout, and the singers to show just what wonderful music this is.<\/p>\n<p><a href=\"https:\/\/www.larkreviews.wickedlemon.co.uk\/wp-content\/uploads\/2017\/10\/wno-fleder-Oct-17-2.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-3863\" src=\"https:\/\/www.larkreviews.wickedlemon.co.uk\/wp-content\/uploads\/2017\/10\/wno-fleder-Oct-17-2.jpg\" alt=\"\" width=\"3780\" height=\"2523\" srcset=\"https:\/\/www.larkreviews.wickedlemon.co.uk\/wp-content\/uploads\/2017\/10\/wno-fleder-Oct-17-2.jpg 3780w, https:\/\/www.larkreviews.wickedlemon.co.uk\/wp-content\/uploads\/2017\/10\/wno-fleder-Oct-17-2-300x200.jpg 300w, https:\/\/www.larkreviews.wickedlemon.co.uk\/wp-content\/uploads\/2017\/10\/wno-fleder-Oct-17-2-768x513.jpg 768w, https:\/\/www.larkreviews.wickedlemon.co.uk\/wp-content\/uploads\/2017\/10\/wno-fleder-Oct-17-2-1024x683.jpg 1024w, https:\/\/www.larkreviews.wickedlemon.co.uk\/wp-content\/uploads\/2017\/10\/wno-fleder-Oct-17-2-449x300.jpg 449w\" sizes=\"(max-width: 3780px) 100vw, 3780px\" \/><\/a><\/p>\n<p>Judith Howard\u2019s Rosalinde is a woman of the world, only too aware of her husband\u2019s short-comings and more than up to his schemes. Her act two czardas is thrown off with aplomb and totally secure at the top. By contrast Rhian Lois\u2019 Adele has the coloratura for the laughing song but is wily enough to convince the most hardened of old rogues. There was a wonderful moment when she is talking to her sister Olga and they both slip into Welsh accents!<\/p>\n<p>Of the men, Mark Stone\u2019s Eisenstein reminded me of Hugh Bonneville, caught somewhere between Downton Abbey and W1A. He sings with relish and his comic timing is equally impressive. There was strong support from Ben McAteer as Falke and James Cleverton as Frank. Paul Charles Clarke\u2019s Alfred was gloriously over the top, the sob in the voice reminding us of every second-rate tenor we have had to sit through.\u00a0Anna Harvey is a surprisingly young Orlovsky but very much in control of events.<\/p>\n<p>The chorus were as fine as expected but it was the conducting of James Southall which really raised the whole level of the evening. After hours of Andre Rieu it was such a treat to hear Strauss as, one suspects, Strauss intended. The rhythms taught yet flexible, the sense of \u00e9lan always in place and the tempi perfect. This was the second outing for this production and it should certainly live to see another day \u2013 or two!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mayflower Theatre, Southampton, 19 October 2017 John Copley\u2019s production of Die Fledermaus moves the time scale forward, but not by very much. The designs are gracefully art deco but the costumes retain the opulence \u2013 and perhaps the decadence \u2013 &hellip; <a href=\"https:\/\/www.larkreviews.wickedlemon.co.uk\/?p=3862\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"_links":{"self":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/3862"}],"collection":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3862"}],"version-history":[{"count":1,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/3862\/revisions"}],"predecessor-version":[{"id":3865,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/3862\/revisions\/3865"}],"wp:attachment":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3862"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3862"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3862"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}