{"id":3566,"date":"2017-05-19T13:49:43","date_gmt":"2017-05-19T12:49:43","guid":{"rendered":"http:\/\/www.larkreviews.co.uk\/?p=3566"},"modified":"2017-05-22T14:22:54","modified_gmt":"2017-05-22T13:22:54","slug":"cdsdvds-may-2017","status":"publish","type":"post","link":"https:\/\/www.larkreviews.wickedlemon.co.uk\/?p=3566","title":{"rendered":"CDs\/DVDs May 2017"},"content":{"rendered":"<h6><strong><span style=\"color: #000080;\">Ombre Amene<\/span><\/strong><\/h6>\n<h6><strong><span style=\"color: #000080;\">Gabriella di Laccio, soprano; James Akers, guitar<\/span><\/strong><\/h6>\n<h6><strong><span style=\"color: #000080;\">DRAMA MUSICA DRAMA 002<\/span><\/strong><\/h6>\n<p>This is a fine combination of pieces which will be unknown to all but the most diligent of connoisseurs. Mauro Giuliani and Fernando Sor were writing at the turn of the nineteenth century and both are here represented by song settings and solo works for guitar. Sor\u2019s <em>Etude 17<\/em> is particularly pleasing but is only marginally ahead of the settings themselves. James Akers is a fine exponent of both the solo guitar items and the accompaniments.<\/p>\n<p>Soprano Gabriella di Laccio is more of an acquired taste. She specialises in Baroque music, and her finely honed high soprano, with its rapid vibrato, often makes for edgy attack and a tension which is fully in keeping with the text even if it is not as mellifluous as we would expect from a more romantic approach.<\/p>\n<h6><strong><span style=\"color: #000080;\">First Drop<\/span><\/strong><\/h6>\n<h6><strong><span style=\"color: #000080;\">Ars Nova Copenhagen, Paul Hillier<\/span><\/strong><\/h6>\n<h6><strong><span style=\"color: #000080;\">CANTALOUPE MUSIC CA 21127<\/span><\/strong><\/h6>\n<p>The CD opens with an unaccompanied setting of <em>Rise up my love<\/em> by Howard Skempton. It is a disarmingly welcoming introduction to a cd which ranges widely from the intensity of Gordon\u2019s <em>he saw a skull<\/em> to a vocal arrangement of Steve Reich\u2019s <em>Clapping Music<\/em> for voices \u2013 both superbly done. Alongside these are works by Terry Riley, David Lang and Kevin Volans.\u00a0 Worth seeking out.<\/p>\n<h6><strong><span style=\"color: #000080;\">Verdi: Un Ballo in Maschera<\/span><\/strong><\/h6>\n<h6><strong><span style=\"color: #000080;\">Royal Opera House, Claudio Abbado<\/span><\/strong><\/h6>\n<h6><strong><span style=\"color: #000080;\">OPUS ARTE OA 1236 D<\/span><\/strong><\/h6>\n<p>This recording dates from 1975 but I doubt if there are any currently available to match its musical impact and beauty. The production by Otto Schenk may seem dated \u2013 how often do we get sets and costumes close to those imagined by the composer? \u2013 but it still works well and if only for Placido Domingo the work is well work adding to your collection.<\/p>\n<h6><strong><span style=\"color: #000080;\">Rachmaninov: Rare Piano Transcriptions<\/span><\/strong><\/h6>\n<h6><strong><span style=\"color: #000080;\">Julia Severus, piano<\/span><\/strong><\/h6>\n<h6><strong><span style=\"color: #000080;\">NAXOS 8.573468<\/span><\/strong><\/h6>\n<p>These are fascinating items. Rachmaninov was responsible for transcribing his own works \u2013 as well as laying down many of them for player pianos where we can hear the composer himself performing his own works. Here we have twenty-two pieces, plus the longer Suite in D minor which only came to light a few years ago. Julia Severus is a convincing soloist with real romantic flair.<\/p>\n<h6><strong><span style=\"color: #000080;\">Strauss in St Petersburg<\/span><\/strong><\/h6>\n<h6><strong><span style=\"color: #000080;\">Estonian National Symphony Orchestra, Neeme Jarvi<\/span><\/strong><\/h6>\n<h6><strong><span style=\"color: #000080;\">CHANDOS CHAN 10937<\/span><\/strong><\/h6>\n<p>There are so many Strauss recordings to choose from, how is a new one to make an impact? Well this does, simply by bringing together works performed while Johann II was in St Petersburg. This includes a single work by Olga Smirnitskaya \u2013 <em>Erste Liebe<\/em> \u2013 if only to show that Russian composers were very aware of the Viennese influence! A fine disc and one which had an innate sense of Straussian rhythm without pulling it all over the place \u2013 as too many do these days.<\/p>\n<h6><strong><span style=\"color: #000080;\">Maestro Corelli\u2019s Violins<\/span><\/strong><\/h6>\n<h6><strong><span style=\"color: #000080;\">Collegium Musicum 90, Simon Standage<\/span><\/strong><\/h6>\n<h6><strong><span style=\"color: #000080;\">CHACONNE CHAN 0818<\/span><\/strong><\/h6>\n<p>Six concerti by six different contemporaries of Corelli , all giving a strong indication of the wealth of music still to be discovered from the early eighteenth century. Beautifully played and worth the indulgence even if you think you know the period well already.<\/p>\n<h6><strong><span style=\"color: #000080;\">Bruckner: Symphony No2<\/span><\/strong><\/h6>\n<h6><strong><span style=\"color: #000080;\">Mozarteumorchester, Ivor Bolton<\/span><\/strong><\/h6>\n<h6><strong><span style=\"color: #000080;\">OEHMS OC 447<\/span><\/strong><\/h6>\n<p>This is a live recording from Salzburg made in October 2015. Bruckner regularly revised his symphonies and the second exists in at least four versions. This is the earliest, and longest, and as such represents the composer\u2019s own approach to the work before any critics had had any influence over him. Far more rarely heard than the later symphonies, it is still a splendid work in its own right and the recording brings us the immediacy and impact of the composer\u2019s creative genius.<\/p>\n<h6><strong><span style=\"color: #000080;\">Schubert: String Quartet in G major; String Quartet in C minor <em>Quartettsatz<\/em><\/span><\/strong><\/h6>\n<h6><strong><span style=\"color: #000080;\">Doric String Quartet<\/span><\/strong><\/h6>\n<h6><strong><span style=\"color: #000080;\">CHANDOS CHAN 10931<\/span><\/strong><\/h6>\n<p>The recording opens with the more familiar <em>Quartettsatz<\/em> in a muscular, exciting reading. The lesser known Op post 161 has an altogether different level of intensity, very much post-Beethoven in its architecture and dynamics. It is also one of the longest when given its proper length as it is here. This is a fine twin to the earlier release of the quartets based on <em>Rosamunde <\/em>and<em> Death and the Maiden. <\/em><\/p>\n<h6><span style=\"color: #000080;\"><strong>In the stream of life; songs by Sibelius<\/strong><\/span><\/h6>\n<h6><span style=\"color: #000080;\"><strong>Gerald Finley, Bergen Philharmonic Orchestra, Edward Gardner<\/strong><\/span><\/h6>\n<h6><span style=\"color: #000080;\"><strong>CHANDOS CHAN CHSA 5178<\/strong><\/span><\/h6>\n<p>There are so many good things on this cd it is difficult to know where to start. <em>Pohjola\u2019s Daughter<\/em> and <em>The Oceanides<\/em> are familiar but given exemplary performances. Alongside these we have the premiere recording of <em>In the stream of life<\/em>, challenging in its immediacy and even today unexpected in its intensity. With this come seven less familiar song settings and the Op42 Romance. Edward Gardner has produced some very memorable recordings with the Bergen Phil but this has to be one of the best.<\/p>\n<h6><strong><span style=\"color: #000080;\">Guitarra Mia; Tangos by Gardel and Piazzolla<\/span><\/strong><\/h6>\n<h6><strong><span style=\"color: #000080;\">Franz Halasz, guitar<\/span><\/strong><\/h6>\n<h6><strong><span style=\"color: #000080;\">BIS 2165<\/span><\/strong><\/h6>\n<p>Not only does this bring the music of Carlos Gardel and Astor Piazzolla to a wider audience, with beautifully phrased performances throughout, but it leads us \u2013 for those like myself with little background in the Tango \u2013 to extensive video clips from the films Gardel made in the 1930s. Both well worth investigating.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ombre Amene Gabriella di Laccio, soprano; James Akers, guitar DRAMA MUSICA DRAMA 002 This is a fine combination of pieces which will be unknown to all but the most diligent of connoisseurs. Mauro Giuliani and Fernando Sor were writing at &hellip; <a href=\"https:\/\/www.larkreviews.wickedlemon.co.uk\/?p=3566\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"_links":{"self":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/3566"}],"collection":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3566"}],"version-history":[{"count":2,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/3566\/revisions"}],"predecessor-version":[{"id":3581,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/3566\/revisions\/3581"}],"wp:attachment":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3566"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3566"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3566"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}