{"id":3459,"date":"2017-03-06T07:52:25","date_gmt":"2017-03-06T07:52:25","guid":{"rendered":"http:\/\/www.larkreviews.co.uk\/?p=3459"},"modified":"2017-03-06T07:52:25","modified_gmt":"2017-03-06T07:52:25","slug":"brighton-philharmonic-orchestra-22","status":"publish","type":"post","link":"https:\/\/www.larkreviews.wickedlemon.co.uk\/?p=3459","title":{"rendered":"Brighton Philharmonic Orchestra"},"content":{"rendered":"

The Dome, Brighton, Sunday 5 March 2017<\/strong><\/span><\/p>\n

Earlier in the day, 500 children had sat in on the rehearsal for this concert and been enthralled by Enescu\u2019s Romanian Rhapsody No1 \u2013 <\/em>and understandably so. Having a Romanian conductor, Christian Mandeal, conducting Romanian music is still a rarity even today. It was easy to see why the work had been chosen as a showcase for classical music to a young audience, for it is alive with colour and wonderfully intricate detail. The warmly rich solo viola part suddenly lifts out of the orchestra as a whole, and later the solo piccolo thrills as it cuts through the weight of the whole orchestra.<\/p>\n

This wildly romantic work is full of heady rhythmic subtleties which are electrifying. \u00a0Would that he heard music of this intensity and sheer visceral enjoyment more often.<\/p>\n

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If the rest of the afternoon did not quite live up to the excitement of the opening this was not the fault of the works themselves or the performances. Chloe Hanslip was the soloist in Korngold\u2019s Violin Concerto. Though heralded as a genius in his youth, he is best known today as the writer of a large number of film scores. The concerto is based on a number of these and while its romantic melodies are engaging it never really rises to the emotional impact it promises at the start. The second movement in particular tends to drift rather than move forward purposefully, though the work is redeemed by the more dynamic pirate music of the finale. Chloe Hanslip played with intensity and convincing attention to detail.<\/p>\n

It is always interesting hearing Elgar performed by conductors who come to the scores from an entirely different tradition. Sakari Oramo\u2019s performances with the BBC Symphony Orchestra have often been revelatory. If Christian Mandeal\u2019s approach to the First Symphony was not quite in this class he brought a beautifully developed sense of line and much lovely phrasing in the construction of long paragraphs. He was aware of the smallest of details, allowing tiny moments to blossom \u2013 a\u00a0sudden fleet bassoon line; a falling brashness from the trombones \u2013 and capture the imagination in ways we may not have heard before. The second movement scampered alarmingly with a real hint of menace in the march sections. There was a glorious introspection in the slow movement with hints of Wagner and Mahler, the composer looking in both directions while taking his own course.<\/p>\n

The finale blazed as expected and brought the afternoon to a triumphant conclusion. More Enescu next season?<\/p>\n

The final concert this season is on Sunday 26 March with works by Kodaly, Schumann and Scriabin.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

The Dome, Brighton, Sunday 5 March 2017 Earlier in the day, 500 children had sat in on the rehearsal for this concert and been enthralled by Enescu\u2019s Romanian Rhapsody No1 \u2013 and understandably so. Having a Romanian conductor, Christian Mandeal, … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,3],"tags":[],"_links":{"self":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/3459"}],"collection":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3459"}],"version-history":[{"count":1,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/3459\/revisions"}],"predecessor-version":[{"id":3461,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/3459\/revisions\/3461"}],"wp:attachment":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3459"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3459"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3459"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}