{"id":3169,"date":"2016-09-16T14:55:06","date_gmt":"2016-09-16T13:55:06","guid":{"rendered":"http:\/\/www.larkreviews.co.uk\/?p=3169"},"modified":"2016-09-16T14:55:06","modified_gmt":"2016-09-16T13:55:06","slug":"august-september-cds","status":"publish","type":"post","link":"https:\/\/www.larkreviews.wickedlemon.co.uk\/?p=3169","title":{"rendered":"August \/ September CDs"},"content":{"rendered":"<p><strong>Our apologies that, due to holidays, our reviews are far briefer than usual and in some cases this is simply a note of CDs which we are pleased to recommend.<\/strong><\/p>\n<h6><span style=\"color: #000080;\"><strong>Schubert: Winterreise<\/strong><\/span><\/h6>\n<h6><span style=\"color: #000080;\"><strong>Hermann Prey, baritone; Helmut Deutsch, piano<\/strong><\/span><\/h6>\n<h6><span style=\"color: #000080;\"><strong>SWR MUSIC SWR19012CD<\/strong><\/span><\/h6>\n<p>I heard Hermann Prey many times at the end of the last century and this recording, which dates from 1987, is a wonderful tribute to his art and sensitivity. Even if you already have a recording (or as in my case \u2013 many) this is certainly a valuable addition.<\/p>\n<h6><span style=\"color: #000080;\"><strong>Schubert: Schwanengesang<\/strong><\/span><\/h6>\n<h6><span style=\"color: #000080;\"><strong>James Rutherford, baritone; Eugene Asti, piano<\/strong><\/span><\/h6>\n<h6><span style=\"color: #000080;\"><strong>BIS 2180 SACD<\/strong><\/span><\/h6>\n<p>Better known as a Wagner singer (particularly as Hans Sachs) James Rutherford brings a gentle introspection to many of the songs here. There is always a difficulty for lower voices singing this cycle but they opted simply to put the whole thing down a minor third which maintains the relationship of the songs as they follow on. A convincing approach and most effective.<\/p>\n<h6><span style=\"color: #000080;\"><strong>The Romantic Piano Concerto \u2013 68<\/strong><\/span><\/h6>\n<h6><span style=\"color: #000080;\"><strong>Moszkowski Op3; Schulz-Evler, Russian Rhapsody<\/strong><\/span><\/h6>\n<h6><span style=\"color: #000080;\"><strong>Ludmil Angelov, piano; BBC Scottish Symphony Orchestra, Vladimir Kiradjiev<\/strong><\/span><\/h6>\n<h6><span style=\"color: #000080;\"><strong>HYPERION CDA68109<\/strong><\/span><\/h6>\n<p>This series seems to run on and on \u2013 and here brings us the first recording of Adolf Schulz-Evler\u2019s <i>Russian Rhapsody.<\/i> Though virtually unknown today this is an interesting curiosity for a composer whose <i>Blue Danube Arabesques<\/i> still command attention in the concert-hall.<\/p>\n<h6><span style=\"color: #000080;\"><strong>Lehar: Guiditta<\/strong><\/span><\/h6>\n<h6><span style=\"color: #000080;\"><strong>Bavarian Radio Chorus; Munich Radio Orchestra; Ulf Schirmer.<\/strong><\/span><\/h6>\n<h6><span style=\"color: #000080;\"><strong>CPO 777 749-2<\/strong><\/span><\/h6>\n<p>There have been a large number of recordings which originated in radio broadcasts, some of dubious quality. Happily this is among the better versions and \u2013 with limited dialogue \u2013 the music speaking for itself and often coming happily to life. Lehar deserves some staged performances again! And not just the <i>Merry Widow.<\/i><\/p>\n<h6><span style=\"color: #000080;\"><strong>CPE Bach: Cello concertos<\/strong><\/span><\/h6>\n<h6><span style=\"color: #000080;\"><strong>Nicolas Altstaedt, cello; Arcangelo, Jonathan Cohen<\/strong><\/span><\/h6>\n<h6><span style=\"color: #000080;\"><strong>HYPERION CDA68112<\/strong><\/span><\/h6>\n<p>&nbsp;<\/p>\n<h6><span style=\"color: #000080;\"><strong>Saint-Saens Quartet Op 11<\/strong><\/span><\/h6>\n<h6><span style=\"color: #000080;\"><strong>Chausson Quartet Op30<\/strong><\/span><\/h6>\n<h6><span style=\"color: #000080;\"><strong>Schubert Ensemble<\/strong><\/span><\/h6>\n<h6><span style=\"color: #000080;\"><strong>CHANDOS CHAN 10914<\/strong><\/span><\/h6>\n<p>&nbsp;<\/p>\n<h6><span style=\"color: #000080;\"><strong>Beethoven; Piano Sonatas<\/strong><\/span><\/h6>\n<h6><span style=\"color: #000080;\"><strong>Angelia Hewitt<\/strong><\/span><\/h6>\n<h6><span style=\"color: #000080;\"><strong>HYPERION CDA68131<\/strong><\/span><\/h6>\n<p>No9 in E major, Op14 No1; No19 in G minor, Op49 No1; No20 in G major, Op49 No2; No26 in Eb major <i>les adieux,<\/i> Op81a<\/p>\n<h6><span style=\"color: #000080;\">Delius<\/span><\/h6>\n<h6><span style=\"color: #000080;\">Bournemouth Symphony Orchestra, Richard Hickox<\/span><\/h6>\n<h6><span style=\"color: #000080;\">CHANDOS CHAN 10913 X<\/span><\/h6>\n<p><span style=\"color: #000000;\">A reissue of the recording made in 1995. <i>The Walk to the Paradise Garden; <\/i>A Dance Rhapsody No1; A Dance Rhapsody No2; <i>In a Summer Garden; North Country Sketches.<\/i><\/span><\/p>\n<h6><span style=\"color: #000080;\"><strong><i>Apres un reve; <\/i>A Faure Recital<\/strong><\/span><\/h6>\n<h6><span style=\"color: #000080;\"><strong>Louis Lortie, piano<\/strong><\/span><\/h6>\n<h6><span style=\"color: #000080;\"><strong>CHANDOS CHAN 10915<\/strong><\/span><\/h6>\n<p>As this is listed as Vol1 we can assume there is more to follow! It includes the Pavane Op50 as well as the suite for <i>Pelleas et Melisande Op80<\/i> and is charming throughout.<\/p>\n<h6><span style=\"color: #000080;\"><strong>Brahms: String Quartet Op51 No1; Quintet Op34<\/strong><\/span><\/h6>\n<h6><span style=\"color: #000080;\"><strong>Brodsky Quartet, Natacha Kudritskaya, piano<\/strong><\/span><\/h6>\n<h6><span style=\"color: #000080;\"><strong>CHANDOS CHAN 10892<\/strong><\/span><\/h6>\n<p>&nbsp;<\/p>\n<h6><span style=\"color: #000080;\"><strong>Berlioz: Romeo &amp; Juliet; Royal Hunt and Storm<\/strong><\/span><\/h6>\n<h6><span style=\"color: #000080;\"><strong>BBC Symphony Orchestra &amp; Chorus, Sir Andrew Davis<\/strong><\/span><\/h6>\n<h6><span style=\"color: #000080;\"><strong>CHANDOS CHAN 5169(2)<\/strong><\/span><\/h6>\n<p>With the exception of <i>Beatrice &amp; Benedict <\/i>at Glyndebourne this summer it seems a long time since we had any staged Berlioz and this reminds us just how good it is. <i>Romeo &amp; Juliet<\/i> may not technically be an opera but musically it is in all but name \u2013 and surprising that it has not been staged as such. The <i>Royal Hunt and Storm <\/i>benefits from the massed forces of the BBC Chorus.<\/p>\n<h6><span style=\"color: #000080;\"><strong>Bruckner: Symphonies 0-9<\/strong><\/span><\/h6>\n<h6><span style=\"color: #000080;\"><strong>Mario Venzago, conductor, various orchestras.<\/strong><\/span><\/h6>\n<h6><span style=\"color: #000080;\"><strong>CPO 555023-2<\/strong><\/span><\/h6>\n<p>This set of ten CDs deserves an article to itself rather than this brief notice. Mario Venzago has a unique approach to Bruckner, often making it lighter and more transparent than we are normally used to. He makes a good case for his reading and I certainly enjoyed the approach though accept it may not be to all tastes. If you get a chance to sample it, do so, and be prepared to agree.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Our apologies that, due to holidays, our reviews are far briefer than usual and in some cases this is simply a note of CDs which we are pleased to recommend. Schubert: Winterreise Hermann Prey, baritone; Helmut Deutsch, piano SWR MUSIC &hellip; <a href=\"https:\/\/www.larkreviews.wickedlemon.co.uk\/?p=3169\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"_links":{"self":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/3169"}],"collection":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3169"}],"version-history":[{"count":1,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/3169\/revisions"}],"predecessor-version":[{"id":3170,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/3169\/revisions\/3170"}],"wp:attachment":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3169"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3169"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3169"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}