{"id":2867,"date":"2016-03-19T07:22:09","date_gmt":"2016-03-19T07:22:09","guid":{"rendered":"http:\/\/www.larkreviews.co.uk\/?p=2867"},"modified":"2016-03-19T07:22:09","modified_gmt":"2016-03-19T07:22:09","slug":"cdsdvds-march-2016","status":"publish","type":"post","link":"https:\/\/www.larkreviews.wickedlemon.co.uk\/?p=2867","title":{"rendered":"CDs\/DVDs March 2016"},"content":{"rendered":"<h6><span style=\"color: #0000ff;\"><strong>J S BACH \u2013 THE ORGELBUCHLEIN<\/strong><\/span><\/h6>\n<h6><span style=\"color: #0000ff;\"><strong> JAMES LANCELOT, organ of Durham Cathedral<\/strong><\/span><br \/>\n<span style=\"color: #0000ff;\"><strong> PRIORY PRCD1139<\/strong><\/span><\/h6>\n<p>This is a very welcome release. A stand-alone no-frills rendition of the complete organ music from the book presented in order from Advent to Pentecost and concluding with the non-seasonal items.<br \/>\nThis is a useful reference work but also a very enjoyable listening experience with James Lancelot in fine form at the Durham organ.<\/p>\n<h6><span style=\"color: #0000ff;\"><strong>THE COMPLETE ORGAN SONATAS OF AUGUST RITTER (1811-1885)<\/strong><\/span><br \/>\n<span style=\"color: #0000ff;\"><strong> MICHAEL HARRIS, Ladegast organ, Kirche Altleisnig, Polditz, Germany<\/strong><\/span><br \/>\n<span style=\"color: #0000ff;\"><strong> PRIORY PRCD1162<\/strong><\/span><\/h6>\n<p>The four organ sonatas presented here are of great interest, partly because of the early date of their writing and also because they are mostly unfamiliar to us now. Michael Harris gives fine performances on an organ that is itself an interesting survivor, built in 1868 and now restored, after it was very nearly removed in the 1980s.<\/p>\n<h6><span style=\"color: #0000ff;\"><strong>ORGAN SPECTACULAR!<\/strong><\/span><br \/>\n<span style=\"color: #0000ff;\"><strong> ASHLEY GROTE, organ of Norwich Cathedral<\/strong><\/span><br \/>\n<span style=\"color: #0000ff;\"><strong> PRIORY PRCD1153<\/strong><\/span><\/h6>\n<p>I have to confess that I groaned when I saw the contents of this disc, being mostly very well-known items in the organ repertoire. However, I must say, though, that I thoroughly enjoyed the whole CD and was reminded of just how enjoyable many of these pieces are. This CD would make an excellent introduction to the organ but will also be enjoyed by many \u201cold hands\u201d if they are prepared to put prejudice aside and give it a spin! The programme begins with Bach\u2019s <i>Toccata &amp; Fugue in D minor<\/i> &amp; closes with Widor\u2019s <i>Toccata. <\/i>The complete <i>Gothique Suite <\/i>by Boellmann is included. As well as Lefebure-Wely\u2019s <i>Sortie in E flat <\/i>there is his lesser-known <i>Andante: Choeur des voix humaines<\/i>. A welcome new piece is the organist\u2019s own <i>Prelude on Cross of Jesus.<\/i><\/p>\n<h6><span style=\"color: #0000ff;\"><strong>GREAT EUROPEAN ORGANS No 98<\/strong><\/span><br \/>\n<span style=\"color: #0000ff;\"><strong> ANTHONY HAMMOND, organ of L\u2019Eglise St-Vincent, Roquevaire, France<\/strong><\/span><br \/>\n<span style=\"color: #0000ff;\"><strong> PRIORY PRCD1156<\/strong><\/span><\/h6>\n<p>Sadly this long running series is nearing it\u2019s end. In the meantime we have another release which combines expert playing on a lesser-known organ with interesting modern repertoire. Largely focussing on the art of improvisation this CD has compositions by Naji Hakim and Pierre Cochereau, together with works dedicated to him by Jean Bouvard &amp; Daniel Roth. There is also the organist\u2019s own <i>Improvisation:Triptyque <\/i>and Marius Monnikendam\u2019s <i>Toccate Concertante. <\/i>Excellent!<\/p>\n<h6><span style=\"color: #0000ff;\"><strong>THE COMPLETE PSALMS OF DAVID SERIES 2, Vol 9<\/strong><\/span><br \/>\n<span style=\"color: #0000ff;\"><strong> Choir of SALISBURY CATHEDRAL,\u00a0 directed by David Halls with John Challenger, organ<\/strong><\/span><br \/>\n<span style=\"color: #0000ff;\"><strong> PRIORY PRCD 1150<\/strong><\/span><\/h6>\n<p>Moving to the choral repertoire we have another series nearing its end. Whilst not having quite the impact on me that the original series did I have been enjoying these releases as they bring further renditions of this staple of the cathedral repertoire, often with unfamiliar chants. Here the Salisbury choir demonstrates its familiarity with this genre in what is a well executed set.<\/p>\n<h6><strong><span style=\"color: #0000ff;\">GREGORIAN CHANT \u2013 MUSIC OF PARADISE<\/span><\/strong><br \/>\n<strong><span style=\"color: #0000ff;\"> Choir of BUCKFAST ABBEY, directed by Philip Arkwright<\/span><\/strong><br \/>\n<strong><span style=\"color: #0000ff;\"> PRIORY PRCD1151<\/span><\/strong><\/h6>\n<p>There is little than I can say to add to descriptions of the beauty of Gregorian chant. Its simplicity and longevity both help to transport the singer and the listener beyond themselves. I really enjoyed this sequence of chant from the mixed voices here give a glimpse of the musical traditions still in place at the abbey. Sublime.<\/p>\n<h6><span style=\"color: #0000ff;\"><strong>MESSIAEN \u2013 L\u2019ASCENSION<\/strong><\/span><br \/>\n<span style=\"color: #0000ff;\"><strong> TOM WINPENNY, Rieger organ of St Giles\u2019 Cathedral, Edinburgh<\/strong><\/span><br \/>\n<span style=\"color: #0000ff;\"><strong> NAXOS 8.573471\u00a0 (66\u201933)<\/strong><\/span><\/h6>\n<p>Tom Winpenny gives an inspiring all-Messiaen recital here. Alongside the title work we also have <i>Diptyque, Offrande au Saint-Sacrament, Prelude, Le Banquet Celeste <\/i>and <i>Apparition de l\u2019Eglise eternelle.<\/i> There is a good rapport between organist and organ and understanding and sensitivity of this music.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>J S BACH \u2013 THE ORGELBUCHLEIN JAMES LANCELOT, organ of Durham Cathedral PRIORY PRCD1139 This is a very welcome release. A stand-alone no-frills rendition of the complete organ music from the book presented in order from Advent to Pentecost and &hellip; <a href=\"https:\/\/www.larkreviews.wickedlemon.co.uk\/?p=2867\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"_links":{"self":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/2867"}],"collection":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2867"}],"version-history":[{"count":1,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/2867\/revisions"}],"predecessor-version":[{"id":2868,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/2867\/revisions\/2868"}],"wp:attachment":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2867"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2867"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2867"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}