{"id":2578,"date":"2015-10-17T10:51:04","date_gmt":"2015-10-17T09:51:04","guid":{"rendered":"http:\/\/www.larkreviews.co.uk\/?p=2578"},"modified":"2015-10-17T11:15:12","modified_gmt":"2015-10-17T10:15:12","slug":"philharmonia-orchestra","status":"publish","type":"post","link":"https:\/\/www.larkreviews.wickedlemon.co.uk\/?p=2578","title":{"rendered":"Philharmonia Orchestra"},"content":{"rendered":"<p><span style=\"color: #000080;\"><strong>Marlowe Theatre, Canterbury,16 October 2015<\/strong><\/span><\/p>\n<p>It makes a real difference when Dvorak is in the hands of a Czech.\u00a0 \u00a0Jakub Hrusa really knows how to bring out all the delicious melodiousness of the seventh symphony. And it works especially well in those hallmark Dvorakian passages when lower strings are alternated with tuneful brass blasts, all very well played. The opening allegro pounded along with energy and the adagio presented an elegant contrast to both the movements which flank it. Then came a well-balanced finale. The symphony was a fitting end to a memorable concert.<\/p>\n<p>We\u2019d started with the overture to <i>Prince Igor<\/i>, a jolly piece &#8211; less familiar perhaps than the Polovtsian dances &#8211; \u00a0which may owe more to Glazunov than Borodin who was always pretty busy with his day job as a scientist. The result, whatever its provenance is cheerfully episodic and full of lights, darks and contrasts with plenty of dynamic range \u2013 played here with panache.<\/p>\n<p><a href=\"https:\/\/www.larkreviews.wickedlemon.co.uk\/wp-content\/uploads\/2015\/10\/Daniil-Trifonov.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-2579\" alt=\"Daniil Trifonov\" src=\"https:\/\/www.larkreviews.wickedlemon.co.uk\/wp-content\/uploads\/2015\/10\/Daniil-Trifonov.jpg\" width=\"225\" height=\"225\" srcset=\"https:\/\/www.larkreviews.wickedlemon.co.uk\/wp-content\/uploads\/2015\/10\/Daniil-Trifonov.jpg 225w, https:\/\/www.larkreviews.wickedlemon.co.uk\/wp-content\/uploads\/2015\/10\/Daniil-Trifonov-150x150.jpg 150w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/a><\/p>\n<p>And so to the centrepiece of the concert: Rachmaninov\u2019s second piano concerto played by a Daniil Trifonov, a young Russian, aged 26 who is making a huge name for himself \u2013 concerts with the world\u2019s finest orchestras and a Deutsche Grammophon recording contract.\u00a0 Geeky looking, bespectacled and hunched, he crouched over the piano like a stalking animal, his hands moving in fluid arcs. He was of course, totally on top of this (late) romantic pot boiler which he interpreted with liberal rubato. The opening crescendo was beautifully articulated and he maximised the melodic honey of the <i>adagio<\/i>. There was an energetic passion in the third movement which (just) \u00a0stopped short of becoming too mannered.\u00a0 And the fat <i>ralentando<\/i> just before the end was suitably dramatic.<\/p>\n<p>It may be invidious to single out performers in the concert which was as generally fine as this but I\u2019m going to do it anyway. Principal flautist Samuel Cole has so much solo work in these three works that he probably played more bars than required by any flute concerto. And he did a magnificent job. Second, the sound of the Philharmonia\u2019s lower strings is glorious and they too shone through in each of these three works. Principal cello, Karen Stephenson and principal bass, Dominic Worsley are to be warmly congratulated.<\/p>\n<p>Susan Elkin<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Marlowe Theatre, Canterbury,16 October 2015 It makes a real difference when Dvorak is in the hands of a Czech.\u00a0 \u00a0Jakub Hrusa really knows how to bring out all the delicious melodiousness of the seventh symphony. And it works especially well &hellip; <a href=\"https:\/\/www.larkreviews.wickedlemon.co.uk\/?p=2578\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"_links":{"self":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/2578"}],"collection":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2578"}],"version-history":[{"count":2,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/2578\/revisions"}],"predecessor-version":[{"id":2584,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/2578\/revisions\/2584"}],"wp:attachment":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2578"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2578"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2578"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}