{"id":1933,"date":"2014-09-10T15:05:47","date_gmt":"2014-09-10T14:05:47","guid":{"rendered":"http:\/\/www.larkreviews.co.uk\/?p=1933"},"modified":"2014-09-10T15:05:47","modified_gmt":"2014-09-10T14:05:47","slug":"cd-reviews-sept-2014","status":"publish","type":"post","link":"https:\/\/www.larkreviews.wickedlemon.co.uk\/?p=1933","title":{"rendered":"CD Reviews; Sept 2014"},"content":{"rendered":"<p><span style=\"color: #000080;\"><strong>Canticles from St Paul\u2019s Cathedral, London<\/strong><\/span><\/p>\n<p><span style=\"color: #000080;\"><strong>St Paul\u2019s Cathedral Choir, conductor Andrew Carwood, organist Simon Johnson<\/strong><\/span><\/p>\n<p><span style=\"color: #000080;\"><strong>HYPERION\u00a0 CDA68058\u00a0\u00a0\u00a0 62\u201948<\/strong><\/span><\/p>\n<p>A highly enjoyable sequence of the familiar and the less well known. There are five settings of the Magnificat &amp; Nunc Dimittis (Walmisley (Dm), Tippett, Gray (Fm), Stanford (Bb) &amp; Wood (F). Alongside these are Walton\u2019s Coronation Te Deum, Malcolm Archer\u2019s Benedicite, omnia opera and the very effective Jubilate by Alec Roth which makes great use of the St Paul\u2019s acoustic.<\/p>\n<p><span style=\"color: #000080;\"><strong>Hakim plays Hakim<\/strong><\/span><\/p>\n<p><span style=\"color: #000080;\"><strong>Naji Hakim (&amp; Marie-Bernadette Duforcet), Schuke organ of the Palacio Euskalduna of Bilbao, Vol 1<\/strong><\/span><\/p>\n<p><span style=\"color: #000080;\"><strong>SIGNUM Classics\u00a0\u00a0 SIGCD389\u00a0\u00a0 61\u201910<\/strong><\/span><\/p>\n<p>I have enjoyed previous recordings by Naji Hakim and here we have another good selection of his own compositions. The major work, Die Apostel (for organ duet) which is a set of meditational movements inspired by woodcuts of the Apostles by Lucas Cranach and taking a choral or Gregorian melody as the basis for each. Other tracks are Toccata, Petite Suite, an amusing take on Schubert\u2019s Ave Maria, Hommage a Jean Langlais, Esquisses Gregoriennes and Arabesques. Rhythm and jazz stylings \u00a0are major influences on Hakim\u2019s work, as well as his drawing on the vast catalogue of liturgical and organ music of our ancestors. Whilst enjoying all of this music I found listening to it in one sitting a bit overwhelming.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #000080;\"><strong>Organ Sonata in C minor (Percy Whitlock)\u00a0 &#8211; Organ music from the Temple Church, London.<\/strong><\/span><\/p>\n<p><span style=\"color: #000080;\"><strong>Greg Morris<\/strong><\/span><\/p>\n<p><span style=\"color: #000080;\"><strong>SIGNUM Classics\u00a0 SIGCD379\u00a0\u00a0 72\u201953<\/strong><\/span><\/p>\n<p>I found this to be a very well programmed CD. Greg Morris gives fine performances on the Temple Church organ, with a varied recital including the neo-Romantic English sound of Whitlock, coupled with three French Romantic \/ 20<sup>th<\/sup> century works. These are Litanies (Alain), Cortege et Litanie (Dupre) and Choral No 3 in A minor (Franck).<\/p>\n<p><span style=\"color: #000080;\"><strong>The Merton Organ<\/strong><\/span><\/p>\n<p><span style=\"color: #000080;\"><strong>Benjamin Nicholas plays the new Dobson organ, Merton College, Oxford.<\/strong><\/span><\/p>\n<p><span style=\"color: #000080;\"><strong>DELPHIAN\u00a0\u00a0 DCD34142\u00a0\u00a0\u00a0\u00a0 71\u201951<\/strong><\/span><\/p>\n<p>This is a showcase for the new Dobson instrument at Merton College, \u201conly the third American-built organ to be sent to the UK since the Second World War\u201d. Benjamin Nicholas gives a well balanced recital of varying styles and periods and the organ sounds very good indeed. Two Bach arrangements open the disk \u2013Dupre\u2019s arrangement of the Sinfonia from Cantata No 29 is vibrant but played with a welcome lightness and is followed by a beautifully restrained performance of Durufle\u2019s arrangement of Ertodt uns durch dein Gute. It is good to have a Stanley Voluntary in A minor as well as music by Franck (Piece Heroique), Messiaen (Priere apr\u00e8s la communion) and Mendelssohn (Andante with variations in D). Highlights for me were Langlais\u2019 Dialogue sur les mixtures and Dupre\u2019s Cortege et Litanie. Two pieces by Vierne close the recording \u2013 Clair de lune and Carillon de Westminster. In the context of this programme I even found it was possible to listen to Bach\u2019s Toccata and Fugue in D minor without rushing to skip the track!<\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #000080;\">Kenneth Leighton Organ Works Vol 1<\/span><\/strong><\/p>\n<p><strong><span style=\"color: #000080;\">Stephen Farr &amp; John Butt , Rieger organ, St Giles Cathedral, Edinburgh<\/span><\/strong><\/p>\n<p><strong><span style=\"color: #000080;\">RESONUS\u00a0\u00a0 RES10134\u00a0\u00a0\u00a0 79\u201907<\/span><\/strong><\/p>\n<p>This is the first of a three volume set of the complete organ works of Kenneth Leighton. Here are presented Six Fantasies on Hymn Tunes, Martyrs: Dialogues on a Scottish Psalm-tune (for organ duet), Improvisation in memoriam Maurice de Sausmarez and Missa de Gloria (Dublin Festival Mass). Stephen Farr conjures a huge variety of timbres from the Rieger organ and appears equally at home in this music \u2013 whether reflective or demonstrative. I particularly enjoyed the opening set of Hymn tune fantasies, all based on very familiar melodies including Veni Emmanuel, St Columba and Jesus bids us shine! I look forward to the remaining two volumes.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"color: #000080;\">Lennox &amp; Michael Berkeley\u00a0 Organ Works<\/span><\/strong><\/p>\n<p><strong><span style=\"color: #000080;\">Tom Winpenny, Harrison &amp; Harrison organ of St Albans Cathedral<\/span><\/strong><\/p>\n<p><strong><span style=\"color: #000080;\">RESONUS\u00a0 RES10119\u00a0\u00a0\u00a0 46\u201907<\/span><\/strong><\/p>\n<p>All of the music on this recording was new to me. It is very good to have this collection of the complete organ works of Lennox Berkeley together with works by his son Michael. Much of the music is reflective but the disk begins with a fiery Impromptu (Lennox). This, together with the Sonata from 1979 by Michael are world premiere recordings. Other works by Lennox are Three pieces for organ (nicely paired with his son\u2019s Sonata), Andantino (arranged by Jennifer Bate) and Fantasia. The final work is the exuberant Wild Bells (by Michael) which has echoes of the French Toccatas and carillons. As with the Leighton CD extensive accompanying notes are available in PDF format.<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"color: #000080;\"><strong>The Golden Days of Summer \u2013 beautiful melodies for piano<\/strong><\/span><\/p>\n<p><span style=\"color: #000080;\"><strong>Simon Clark, piano<\/strong><\/span><\/p>\n<p><span style=\"color: #000080;\"><strong>TROIKA \u00a0\u00a0\/\u00a0\u00a0 Simon Clark Publishing (simonclark.uk.com) \/ Watchfire Music (watchfiremusic.com) approx 35\u2019<\/strong><\/span><\/p>\n<p>This CD presents a number of Simon Clark\u2019s compositions and arrangements for piano performed by the composer. He describes the pieces using the Mendelssohn-coined phrase \u201cSongs without words\u201d. The emphasis throughout is on well-crafted melody, used to good effect to create a relaxing sequence mostly inspired by the natural world. The programme includes the title track and the evocatively named Kamby Bilongo (River). A set of three piano preludes: Love, Spirit &amp; Truth form a significant part of the programme and are my favourites. Two song arrangements are included \u2013 Feed my sheep and The Lord\u2019s my Shepherd. I think these work less well as piano solos but it is good to have them included here. The recording begins with Chestnut Hill and ends with Christmas Morn so don\u2019t be fooled into thinking this music can only be played at a certain time of year!<\/p>\n<p>SP<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Canticles from St Paul\u2019s Cathedral, London St Paul\u2019s Cathedral Choir, conductor Andrew Carwood, organist Simon Johnson HYPERION\u00a0 CDA68058\u00a0\u00a0\u00a0 62\u201948 A highly enjoyable sequence of the familiar and the less well known. There are five settings of the Magnificat &amp; Nunc &hellip; <a href=\"https:\/\/www.larkreviews.wickedlemon.co.uk\/?p=1933\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"_links":{"self":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/1933"}],"collection":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1933"}],"version-history":[{"count":1,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/1933\/revisions"}],"predecessor-version":[{"id":1934,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/1933\/revisions\/1934"}],"wp:attachment":[{"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1933"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1933"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.larkreviews.wickedlemon.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1933"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}